Opinion
Maurizio Cattelan Is No Duchamp
One elevated the prosaic. The other merely gilded the familiar.
Opinion
One elevated the prosaic. The other merely gilded the familiar.
Opinion
Just as 20th-century fascists deployed radio and film, today’s ideological descendants use memes, social media, and above all, artificial intelligence.
Comics
The sinister figure was shaped by social and political forces throughout the centuries. Is he still walking among us?
Opinion
More than a testament to his tastelessness, Trump’s demolition of the White House tells the American people: I can do whatever I want with the past.
Opinion
By posting paintings like “American Progress,” the DHS signals its white supremacist beliefs.
Features
A century later, the decline of the movement represents the death of the grand designs it traded in.
Opinion
The difference between this revolution and those in Germany, China, or Iran, is not of kind, but of degree, and only so far.
Opinion
He chose a simple white cassock over velvet robes, disseminated photos of him kneeling before inmates and refugees, and believed in art as an intrinsic human right.
Art
In her paintings, the 17th-century Dutch painter captured a pure, crystalline moment of time with unnerving verisimilitude.
Art
The assembling of these plaster casts of masterpieces more than a century ago must be understood as a work of art in its own right, a bizarre and beautiful triumph.
Art
Feted as the “Queen of the Bohemians,” Abercrombie saw herself as a kind of jazz witch forging dream visions into a strange, eerie, and occult body of work.
Opinion
The president’s obsession with cultural control is evidence of a continued fascist creep, and not just another joke exercise in narcissism.