The aggressive kineticism of Futurism in Chase-Riboud’s sculpture is tempered by a keen appreciation of the erotic and lyrical.
Eileen G’Sell
Eileen G’Sell is a poet and critic with regular contributions to Hyperallergic, Reverse Shot, The Hopkins Review, and The Riverfront Times, among other publications. In 2019 she was nominated for the Rabkin Prize in arts journalism. She teaches at Washington University in St. Louis. More on her writing can be found here.
Posted inFilm
Set in a Lesbian City in the Year 2700, Flaming Ears Is Queer and Campy Fun
For those up for seriously weird, naughty “cyberdyke” mayhem, this movie will likely disturb and delight.
Posted inFilm
All That Breathes Redefines the “Nature Doc”
Capturing an urban ecosystem of animals and humans, Shaunak Sen’s second feature sits somewhere between a nature doc, political drama, and touching family portrait.
Posted inFilm
Claire Denis’s New Film Is Stronger on Steam Than Story
Just as sex with a revolutionary does not make one revolutionary, a penchant for setting films in developing countries does not make Denis a resident expert.
Posted inArt
Sandra Payne’s Bling Manifesto
The unabashedly feminine oeuvre of the collagist, sculptor, and conceptual artist is a smorgasbord of shimmer and sequin, a bling manifesto for the senses.
Posted inFilm
A Feminist Film Classic That Has Its Cake and Eats It Too
With its recent 4k restoration, Daisies endures as a New Wave masterpiece and hyper-feminine smorgasbord of sensory pleasure.
Posted inArt
Documenta 15 and the Power of Productive Disruption
The most fruitfully jarring artistic disruptions at documenta 15 unsettle their own settings, stealthily intervening in traditional German institutions or landmarks.
Posted inArt
Nicole Miller Bears Witness Through Sound
The engulfing vocal testimony of Miller’s audio-visual art speaks to the threat of death faced by people of color in this country.
Posted inArt
Transforming Society Through Play
Assembly Required suggests it is high time to strap on a colorful mask and play with someone you don’t know — or don’t know well enough.
Posted inFilm
A Body Horror Tale With an Avian Twist
Hanna Bergholm’s stunningly original debut film Hatching embraces the experience of female adolescence as the monster that it is, and then gives that monster literal wings.
Posted inFilm
The Breezy Bisexuality of Anaïs in Love
Charline Bourgeois-Tacquet’s directorial debut offers a twist of zest to the tired tale of a vivacious young woman pursuing romance with an older man.
Posted inFilm
In The Girl and the Spider, Voyeurism Is Both Comical and Creepy
Everybody seems to be infatuated with everyone else in the film, locking eyes with an intensity that could shame a tantra guru.
