Film
On Camouflage and Control in The Velvet Queen
Rather than celebrate intrepid man capturing, and controlling, the magic of “nature,” the film focuses more on how nature watches us.
Film
Rather than celebrate intrepid man capturing, and controlling, the magic of “nature,” the film focuses more on how nature watches us.
Film
This may not be a great film, but its narrative and tonal weaknesses throw into relief just how strong Léa Seydoux is as its thumping heart.
Film
In the films of Mike Mills, sensitive male characters reckon with who they are when who they are doesn’t seem to measure up.
Film
What’s more natural, the film seems to ask — the “body parts” under the hood of a car or those pulsing beneath a woman’s navel?
Film
Lynne Ramsay’s 1999 debut film is arguably one of the masterpieces of 20th-century depictions of childhood poverty.
Film
In this film about stardom, the viewer has nowhere to appreciate and connect with the characters and concepts.
Film
Todd Stephens’s new film is a celebration of willful, collective flamboyance that flourishes within small cities.
Film
Binoche plays a woman who is ultimately accountable for herself and doesn’t pretend to be any better than she is.
Film
It remains to be seen whether future critics will see the film as contrarian triumph or empty provocation.
Film
Director Pablo Larraín doesn’t trust his own filmographic brilliance, and lets the story take over in the end.
Art
Wilke’s joyful effusions were a reminder of the limitlessness of the body’s creative potential.
Art
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