Art
Lucia Nogueira’s Sensuous, Smoky Visions of Hell
Featuring a stunning series of watercolors based on Dante’s Inferno, Nogueira’s latest exhibition sheds new light on her gift for haunting evocations of the female body.
Ela Bittencourt is a critic and cultural journalist, currently based in Berlin. She writes on art, film and literature, often in the context of social issues and politics.
Art
Featuring a stunning series of watercolors based on Dante’s Inferno, Nogueira’s latest exhibition sheds new light on her gift for haunting evocations of the female body.
Film
Get your popcorn ready. This year’s program includes highlights like Steve McQueen’s Small Axe films, ruminative queer romances, and incisive documentaries about US politics and Helen Keller’s activism.
Film
Three of the Argentine director's films are now on the Criterion Channel, and they demonstrate how she complicates ideas of female agency and power.
News
With her New York debut on the horizon, the Afro-Brazilian artist, known for her seductive, textile-based sculptures, is finally, and rightfully, receiving international recognition.
Film
Inspired by true events, Melina León’s debut drama is a captivating vision of unredeemed humanity.
Art
In Lange's photography, human ingenuity and grace triumph over the unspeakable blows of the Great Depression and other social oppression, even when hope is in short supply.
Books
In Radical Virtuosity, Genevieve Hyacinthe brilliantly reframes Mendieta’s celebrated works, yet for a book so rooted in race, the final analysis feels only half-full.
Books
Edited by the late, great Anette Michelson and Kenneth White, the essays in Michael Snow refresh our notions of experimentation.
Film
Rounding out our Sundance coverage, here’s a look at some of the most exciting visual arts-focused films that debuted at the festival.
Film
Sky Hopinka’s rapturous feature-length debut, małni—towards the ocean, towards the shore, which premiered at this year’s Sundance Film Festival, elaborates on his previous explorations of Chinuk Wawa while hewing to a more linear structure.
Art
Gomes, who lives in Rio de Janeiro, often works from home, where daily, mundane objects are not distinguished from sculptural pieces.
Film
Kicking off today at Film at Lincoln Center, the series presents a body of work that’s particularly heartening when one considers the encroachments on freedom that Brazilian cinema must now confront.