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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

Eliza Levinson

Eliza Levinson is a writer based in Berlin. Her work has been featured in publications including Artforum, the Nation, Vice, 032c, and the New Inquiry.

Posted inFilm

How Do We Know What’s Real in the Era of the Deepfake?

by Eliza Levinson April 25, 2022April 26, 2022

The Museum of the Moving Image show Deepfake: Unstable Evidence on Screen tries to help visitors equip themselves to discern real images from fake ones.

Posted inBooks

Work (Even the Creative Kind) Won’t Love You Back

by Eliza Levinson June 2, 2021March 8, 2023

Amid the recent wave of art worker unionizing, Sarah Jaffee’s Work Won’t Love you Back offers some instructive takeaways for understanding the trap of that persistent Neoliberal myth: the “labor of love.”

Posted inArt

A Scuffle Over Anti-Fascist Art in a German Museum, Explained

by Eliza Levinson October 12, 2020November 5, 2020

Following their creation of an anti-fascist art installation for a show at Kunstsammlungen Chemnitz, the artist-activist group Peng! Collective found themselves at the center of a perhaps inevitable brouhaha.

Posted inArt

A Comics Series Offers an Exercise in Optimism

by Eliza Levinson June 4, 2020November 5, 2020

An Instagram project by Desert Island Comics, Rescue Party offers poetic renderings of the world beyond our current reality. According to these artists, it’ll be beautiful.

Posted inArt

Lawrence Abu Hamdan Knits Language to Power

by Eliza Levinson March 13, 2020March 13, 2020

The Voice Before the Law explores the ways in which linguistic uses and misuses are bound to legal systems.

Posted inArt

Enter an Eerie Nowhere Land, Where the Mundane Meets the Mythic

by Eliza Levinson November 22, 2019

In Horizontal Vertigo: WangShui, the Julia Stoschek Collection hosts an exhibition of new works by the New York-based studio known for their explorations of technology, identity, and diaspora.

Posted inArt

The Desire to “Undo” Giving Birth

by Eliza Levinson October 7, 2019

Videos of a birthing in reverse in Candice Breitz’s Labour document the process of mothers undoing the moment they gave birth to men who would become tyrants and dictators.

Posted inArt

When Tragedy Strikes, Social Media Posts Can Become Invaluable Artifacts

by Eliza Levinson June 25, 2019November 4, 2019

As Notre-Dame burned, there was controversy over people responding by sharing selfies they’d taken at the cathedral. But there may be public value in this practice.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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