From the mid-1960s, when Dodd first took her Masonite panels outdoors to paint, her production has been shaped by observation.
Bowen’s multimedia art is an alchemical mix of the sensuous and arcane, and it is more than a little witchy.
The Mexican artist’s works reveal the radical possibilities of an indigenous sensibility charged with a keen awareness of politics and art history.
In Doomscrolling, Rob Swainston and Zorawar Sidhu assume the task Walter Benjamin set for the articulation of history — to “seize hold of the past as it flashes up at a moment of danger.”
There is not a hint of psychological trauma in Astrup’s art, despite the parallels in his own experience to that of his countryman Edvard Munch.
Funky and elegant by turn, Ann Agee’s ceramic Madonnas testify to an imagination run wild.