Books
10 Art Books to Bring to the Beach This Summer
The art of Marsha P. Johnson, Yoko Ono reappraised, Jack Whitten’s studio notebook, a fictional curator’s Greece trip goes awry, and more to read this season.
Hakim Bishara is Hyperallergic's Editor-in-Chief. He is a recipient of the 2019 Andy Warhol Foundation and Creative Capital Arts Writers Grant, and he holds an MFA in Art Writing from the School of Visual Arts in New York.
Books
The art of Marsha P. Johnson, Yoko Ono reappraised, Jack Whitten’s studio notebook, a fictional curator’s Greece trip goes awry, and more to read this season.
Art
Just like Caspar David Friedrich and the Romanticists, we live in anxious times and hunger for a touch of the sublime.
Books
Delve into Lucy Lippard’s short fictions, Tamara Lanier’s indelible memoir, The White Pube’s tales of absurdity in the art world, new perspectives on Mucha, and more.
Performance
DOOM: House of Hope is comically apolitical and tragically hollow beneath all the hype.
Art
Kamari Carter’s political art, visionary Shaker art, and Esther Mahlangu's colorful geometries, along with many other in-person and online shows will beat your winter blues.
Books
This year, we’re rereading a fictional dialogue by Oscar Wilde, bell hooks’s book of art criticism, prose poetry by Etel Adnan, and more titles that won’t make it onto most industry lists.
Art
From the visual pleasures of Mary Sully to the cultural critique of Gary Simmons, to a lesson in Haitian art history, there’s plenty of great art to see right now.
Art
His toy-brick masterpieces are tributes to anyone terrorized and brutalized by the world’s great powers and their proxies.
Opinion
Maurizio Cattelan swims in the same swamp as those he pretends to parody.
Opinion
The house was already on fire, and both presidential candidates showed up to the race brandishing a box of matches.
Art
Her sculptures for The Met’s facade commission look like they’ve always been there, Frankensteined in the bowels of the museum’s ethnographic collections.
Art
Is this year’s fair a reflection of a tired, oversaturated, and complacent art market, or am I looking for excitement and discovery where they can no longer be found?