Interview
Beer with a Painter: Alfredo Gisholt
“I look at where things accumulate, where people leave things. Every house has a corner like that.”
Jennifer Samet
Jennifer Samet is an art historian based in New York City and the Hudson Valley.
Interview
Beer with a Painter: Joyce Pensato
Pensato’s work is about grand gestures and not backing down.
Interview
Beer with a Painter: Helen Miranda Wilson
Wilson warns me that her studio never looks impressive — a hazard of making meticulous, intimately scaled work.
Interview
Beer with a Painter: Steve Mumford and Inka Essenhigh
Essenhigh and Mumford — who live together and work in adjoining studios on the Lower East Side — are unafraid to make declarations about what motivates the other.
Interview
Beer with a Painter: Tom Uttech
Uttech tells stories through the metaphoric possibilities of paint.
Interview
Beer with a Painter: Suzanne Joelson and Gary Stephan
An artist couple talks about paintings with a punch line and a street full of rats.
Interview
Beer with a Painter: Emily Cheng
The forms in Emily Cheng’s paintings are suggestive of the most primary elements: the landscape, the body, and religious iconography.
Interview
Beer with a Painter: Paul Wackers
The cozy studio environment and the casual, gonzo aesthetic of the ceramic objects, not to mention Wackers’s personality, may bely how technically precise and complexly orchestrated his paintings are.
Art
Mercedes Matter’s Awful, Wonderful Itch
Matter was a believer in the possibility of channeling a total, magical presence – even if it meant destroying a work or never completing it.
Interview
Beer with a Painter: Peter Acheson
Acheson does not care about trading niceties or being ingratiating. He would rather propose and debate philosophical ideas.
Interview
Beer with a Painter: Albert Oehlen
The long-reigning bad boy of German painting has consistently poked and prodded at whatever preciousness we associate with the medium.
Art
Painting on Message at the 2017 Whitney Biennial
This year, the Whitney Biennial includes plenty of painting. And — for the most part — the painting is on message. It’s eccentric figuration with political content.