Test 2018 posts
Beer with a Painter: Helen Miranda Wilson
Wilson warns me that her studio never looks impressive — a hazard of making meticulous, intimately scaled work.
Test 2018 posts
Wilson warns me that her studio never looks impressive — a hazard of making meticulous, intimately scaled work.
Interview
Essenhigh and Mumford — who live together and work in adjoining studios on the Lower East Side — are unafraid to make declarations about what motivates the other.
Interview
Uttech tells stories through the metaphoric possibilities of paint.
Interview
An artist couple talks about paintings with a punch line and a street full of rats.
Interview
The forms in Emily Cheng’s paintings are suggestive of the most primary elements: the landscape, the body, and religious iconography.
Interview
The cozy studio environment and the casual, gonzo aesthetic of the ceramic objects, not to mention Wackers’s personality, may bely how technically precise and complexly orchestrated his paintings are.
Art
Matter was a believer in the possibility of channeling a total, magical presence – even if it meant destroying a work or never completing it.
Interview
Acheson does not care about trading niceties or being ingratiating. He would rather propose and debate philosophical ideas.
Interview
The long-reigning bad boy of German painting has consistently poked and prodded at whatever preciousness we associate with the medium.
Art
This year, the Whitney Biennial includes plenty of painting. And — for the most part — the painting is on message. It’s eccentric figuration with political content.
Interview
Coates’s recent work depicts food: spaghetti and meatballs, sprinkle cookies, and s’mores. Her work is about matter and viscosity, but it is also rooted in grid-like structures, repetitive mark-making, and very sophisticated paint handling.
Interview
Painters who lived and exhibited in New England, like Jake Berthot and Porforio DiDonna, are highly represented. They, like Stockwell, have straddled the line between tough material abstraction, nature, and the figure.