Emily Pettigrew and Aubrey Levinthal are two painters who have much in common, but their differences run deeper and are more telling.
Author Archives: John Yau
John Yau has published books of poetry, fiction, and criticism.
His latest poetry publications include a book of poems, Further Adventures in Monochrome (Copper Canyon Press, 2012), and the chapbook, Egyptian Sonnets (Rain Taxi, 2012). His most recent monographs are Catherine Murphy (Rizzoli, 2016), the first book on the artist, and Richard Artschwager: Into the Desert (Black Dog Publishing, 2015). He has also written monographs on A. R. Penck, Jasper Johns, and Andy Warhol. In 1999, he started Black Square Editions, a small press devoted to poetry, fiction, translation, and criticism. He was the Arts Editor for the Brooklyn Rail (2007–2011) before he began writing regularly for Hyperallergic Weekend. He is a Professor of Critical Studies at Mason Gross School of the Arts (Rutgers University).
Posted inArt
What to Do About the Artists in Your Studio
If Philip Guston wanted everyone, including himself, to leave his studio, Franklin Evans seems to be inviting everyone in.
Posted inArt
Painting Abstractly in the Midst of Unending Crises
Alyse Rosner is grappling with the question of how to make an abstract painting reflect both the personal and collective.
Posted inArt
Where Painting Can Live
Jason Stopa’s desire to infuse his paintings with joy mixes sophistication and innocence without privileging either one.
Posted inArt
Matthew Wong’s Indelible Impressions
Just three years after he first devoted himself to art, Wong assembled an abstract vocabulary to create an entire world that is parallel to ours.
Posted inArt
The Gallery Dealer as Tightrope Walker
Rather than identifying with a style or brand, Klaus Kertess was remarkably independent in his choices, and was not averse to risks.
Posted inArt
Terry Winters’s Allegiance to Science and Abstraction
Winters’s art is about decisions, choices, quality of attention, the shaping of one’s existence in time.
Posted inArt
Yikui (Coy) Gu’s Tour of the US
There is nothing subtle about Gu’s work: it is in your face because the racism he encounters is always there.
Posted inArt
An Artist Between Two Worlds
Nearly 50 years ago, Choong Sup Lim left South Korea for New York City in search of freedom in art and life.
Posted inArt
Another Chapter of Black Art History
The legacy of Cinque Gallery demonstrates that the work of Black artists between 1969 and 2004 was as diverse as its mainstream counterpart.
Posted inArt
Jasper Johns: Hiding in Plain Sight
Johns has repeatedly used one motif whose source has never been identified.
Posted inArt
The Tension in Liat Yossifor’s Paintings
In Yossifor’s work, connections between the imagination and the ordinary world are made not through the pictorial, but through the paint itself.