Art
The Second Act of Andrew Forge
After finding success in England, Forge walked away from everything he knew how to do and started over.
John Yau
John Yau is an award winning poet, critic, curator, and publisher of Black Square Editions. He has published over 50 books of poetry, fiction, and art criticism.
Art
Painting and Time's Winged Chariot
Paint's materiality has a capacity to release meaning into the work, to underscore our vulnerable bodily presence in the world and time.
Art
New Views of the Everyday World
Emily Pettigrew and Aubrey Levinthal are two painters who have much in common, but their differences run deeper and are more telling.
Art
What to Do About the Artists in Your Studio
If Philip Guston wanted everyone, including himself, to leave his studio, Franklin Evans seems to be inviting everyone in.
Art
Painting Abstractly in the Midst of Unending Crises
Alyse Rosner is grappling with the question of how to make an abstract painting reflect both the personal and collective.
Art
Where Painting Can Live
Jason Stopa's desire to infuse his paintings with joy mixes sophistication and innocence without privileging either one.
Art
Matthew Wong’s Indelible Impressions
Just three years after he first devoted himself to art, Wong assembled an abstract vocabulary to create an entire world that is parallel to ours.
Art
The Gallery Dealer as Tightrope Walker
Rather than identifying with a style or brand, Klaus Kertess was remarkably independent in his choices, and was not averse to risks.
Art
Terry Winters’s Allegiance to Science and Abstraction
Winters’s art is about decisions, choices, quality of attention, the shaping of one’s existence in time.
Art
Yikui (Coy) Gu’s Tour of the US
There is nothing subtle about Gu’s work: it is in your face because the racism he encounters is always there.
Art
An Artist Between Two Worlds
Nearly 50 years ago, Choong Sup Lim left South Korea for New York City in search of freedom in art and life.
Art
Another Chapter of Black Art History
The legacy of Cinque Gallery demonstrates that the work of Black artists between 1969 and 2004 was as diverse as its mainstream counterpart.