Art
Five NYC Art Shows to See This Week
See socially and politically engaged art, Trenton Doyle Hancock paired with Philip Guston, plus geometric abstraction and some medieval treasures.
John Yau is an award winning poet, critic, curator, and publisher of Black Square Editions. He has published over 50 books of poetry, fiction, and art criticism.
Art
See socially and politically engaged art, Trenton Doyle Hancock paired with Philip Guston, plus geometric abstraction and some medieval treasures.
Art
With generous, sharp humor, Hancock and Guston show us through their art how venial and self-deceiving we have become.
Art
The pairing of Amanda Church and Jenny Hankwitz, both longtime practitioners of geometric abstraction, is a stroke of genius for their similarities and differences.
Art
Sylvia Sleigh, Kenneth Tam, Christine Sun Kim, Paul Gardère, and Rudy Burckhardt are ideal for anyone who desires a glimpse into an artist’s personal life and worldview.
Art
The complexity of Burckhardt's work is easy to overlook, because he calls attention to neither his mastery nor his labor.
Art
Stout achieved an ascetic sensuality in his geometric abstractions, a paradoxical synthesis of restraint and hedonism that is unmatched by any of his contemporaries.
Art
It is refreshing to see a group show that hews to its curatorial statement, and includes both old friends and unexpected twists.
Art
He was one of the first American artists to grapple with the many parts of an individual’s identity, and seek to unify them.
Art
Rather than trying to fool us with her representational paintings or showing off her virtuosity in the realm of resemblance, everything is on the surface.
Art
With over 300 works on paper, plus paintings, sculptures, and furniture, The Way I See It: Selections from the KAWS Collection includes work by artists of every stripe.
Art
Diamond’s attention to the brush’s capacity to be simultaneously expressive and responsive is visible throughout her strongest paintings.
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What you see in Young’s “stick” paintings is not a tightly executed, machine-like painting, but a humbler and more vulnerable approach.