Art
Ron Gorchov’s Guardians
In responding to Judd and Greenberg, it is apparent that Gorchov wanted to find his own way past what he saw as the limits of their theorizing and make something that was recognizably his.
John Yau
Art
Beuford Smith’s Americans
If you want to understand what happened in the 1960s or you want to know about race in America, Smith is one of the essential photographers to look at, as are the other members of the Kamonigen to have shows in recent years.
Art
Julian Schnabel’s Flowers
Do you ever feel like you are getting the hard sell or being bludgeoned into submission?
Art
Elliott Green Can See for Miles and Miles and Miles
Elliott Green has channeled the landscape paintings of the early Northern Song dynasty along with the fantastical landscapes of the Sienese painter Ambrogio Lorenzetti.
Art
Robert Mangold’s Sense of Things
For Mangold, more than any other artist of his generation, painting is contingent, rather than self-sufficient. It is part of an active relationship.
Art
David Reed Did Not Go Along with Those Who Threw the Baby Out with the Bathwater
Making a brushstroke painting in the mid-1970s — a decade after Greenberg, Stella, and Lichtenstein gleefully presided over its burial — was foolhardy and brave.
Art
Jack Whitten’s Walls
Jack Whitten is the most relentless experimenter with materials in a generation of abstract artists who have yet to receive their due, perhaps because no one has come up with a catchy and marketable name for them, like the “Minimalists” or “The Pictures Generation.”
Art
The Studio Visit That Wasn’t Exactly a Studio Visit: Dan Devening, Mie Kongo, Peter Shear
It is not every day that you meet a self-effacing artist who makes no attempt to get you to see his work, but, in fact, points you to the work of others, only a few of which he shows.
Art
Chuck Webster’s Breakthrough
I have been following Chuck Webster’s work since his first show at Zieher Smith in 2003, where he employed different mediums on different kinds of antique and found paper. It was obvious to me that Webster loved to draw in both dry and liquid mediums, anything capable of making a line.
Art
Julia Fish’s Sense of Passage
We are not likely to stop and ponder the things we daily pass by and over, but Julia Fish clearly does.
Art
Three Photographers and What They Show Us About Everyday Life: Deana Lawson, Judy Linn, Paul Mpagi Sepuya
Other than their use of a camera, these photographers appear to have little in common, which I think is a good thing.
Art
Perhaps Eleanore Mikus Will Not Be Under-Recognized Anymore
If we compare her with other women artists from the 1960s working in a reductive vein, Eleanore Mikus seems to have thoroughly vanished, more so than her peers, and often isn’t included in surveys or textbooks of that period.