John Yau is an award winning poet, critic, curator, and publisher of Black Square Editions. He has published over 50 books of poetry, fiction, and art criticism.
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Raymond Foye – who possesses an encyclopedic knowledge of various underground currents of poetry, music, and art – is the only person on the planet who could have conceived of this exhibition, Dark Star: Abstraction and Cosmos at Planthouse.
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Since 2001, Melissa Meyer has continued to reinvent herself without severing her connections to Abstract Expressionism or, more particularly, the brushstroke and drawing in paint.
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Dufresne’s drawings are humorous, whimsical, tender, odd, sarcastic, fantastic, sympathetic, and sweet. She celebrates the wacky and wonderful side of human behavior when overtaken by erotic passion, as well as reaches inexplicable places in our imagination.
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I don’t think it is hard to understand why Sandra Vásquez de la Horra’s pencil drawings depict dejected, often isolated figures from a domain that is simultaneously fairy tale, horror story, and dream.
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I first became aware of Carole Seborovski’s work in the mid-1980s, when she was a geometric artist working on paper with a restrained palette.
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Why doesn’t the Whitney Museum of American Art inaugurate a series of exhibitions in honor of Herman Melville? It would certainly be fitting given the museum’s recent change of address.
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You know something is going on when you stare at work hanging on one wall and forget to look at what is on the gallery’s other three walls.
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Many writers – including, most recently, Peter Schjeldahl in the venerable magazine, The New Yorker – have characterized David Hammons as “elusive” and “difficult.” According to Schjeldahl: “The artist spoke with me, bracingly and delightfully, for a column in this magazine, in 2002. He wouldn’t do
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Plimack Mangold’s floor and ruler paintings are smart, tough, assured, direct and, more than forty years after she did them, they remain challenging: works in which she literally and figuratively cleared a space for herself in ways that have yet to be fully recognized.
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Elisa D’Arrigo is best known for her wall works in which the merging of sewing and repetition is a central feature.
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In 1952, Lois Dodd, along with four other artists, started the Tanager Gallery on East Fourth Street, near the Bowery, one of the first artist-run cooperative galleries in New York.
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In Mark Greenwold's pencil drawing “Josie” (2015), at least three people and an oversized cat are gathered in a room under what looks like a skylight. A bespectacled man on the drawing’s right-hand side is wearing boxer shorts and a t-shirt, his erect penis poking through his shorts.