Guide
Four New York City Art Shows to See Right Now
From sapphic art related to the sea to generations of Black women ceramicists, some of our favorite shows touch on identity and community.
Julia Curl is a PhD student in the Department of Art and Archaeology at Princeton University, where her research focuses on avant-garde film and photography.
Guide
From sapphic art related to the sea to generations of Black women ceramicists, some of our favorite shows touch on identity and community.
Art Review
An exhibition at The Met positions Black history in the Romantic tradition, but the large scale of these paintings can undercut their impact.
Guide
The fall art season starts with a bang, with Man Ray at The Met, understated gems like Lisa Corinne Davis at Miles McEnery, and more.
Art Review
From film to painting to sculpture to chess, the Surrealist was an artist-inventor, tinkering away at light and objects and having a good laugh all the while.
Art
From local concerns in the Bronx to global issues in Queens, plus a trip to see Indigenous art in New Jersey, our favorite art is far-reaching right now.
Art
From historical shows about labor to investigations of color to John Singer Sargent’s renderings of hands, we’re enjoying a variety of art this week.
Art Review
Consuelo Kanaga, one of the US’s first female photojournalists, counted Alfred Stieglitz, Dorothea Lange, and Berenice Abbott as her peers.
Art Review
An exhibition shows that our beleaguered present is not apocalyptically singular but the continuation of one long, long fight.
Art
From Aaron Gilbert’s take on capitalism to Weegee’s distortions of celebrity culture, these exhibitions all critique or reflect the world around us.
Art Review
By embracing horror through the larger-than-life persona he constructed, the photographer occupies an odd middle ground between the news media and its parody.
Book Review
This photo history of plants tackles the problem of how to pull ourselves out of the blind, anthropocentric march toward climate disaster.
Art
John Divola asks us: What am I looking at? Is it real? Where does that distinction now lie, given the technology required to make a photograph now?