Artist Alicia Grullon performs the role of a UN representative for refugees to address the migration crisis at the southern US border.
Laura Raicovich
Laura Raicovich is a New York-based writer and curator. Most recently, she co-curated Mel Chin: All Over the Place, a multi-borough survey of the artist's work, and served as the director of the Queens Museum. She also launched Creative Time's Global Initiatives, was Dia Art Foundation's Deputy Director, and has held posts at the Guggenheim and Public Art Fund. She is the former Emily H. Tremaine Journalism Fellow for Curators at Hyperallergic, is working on a forthcoming book on museums and neutrality, and is co-curating a public seminar series titled Freedom of Speech: A Curriculum for Studies into Darkness at the New School's Vera List Center for Arts and Politics. lauraraicovich.com (Photo by Michael Angelo)
Posted inArt
Diary Entries From a Feminist Curator’s Encounters With Picasso
A steadfast feminist in a male-dominated art world, Joanna Drew was among a handful of individuals who shaped contemporary visual art in Great Britain post-World War II.
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The Most Downloaded Artworks From the Getty and Met Museum
Both the J. Paul Getty Trust and the Metropolitan Museum of Art have created online databases that bring thousands of artworks to screens across the globe. Here’s what most folks download.
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A Former Museum of Modern Art Director’s Meticulous Eye for Detail
As a non-specialist Rene d’Harnoncourt had a rare ability to engage deeply with objects across time, cultural specificity, and form.
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How to Curate a Yearlong, Three-Part Exhibition
Curators Jaishri Abichandani and Natasha Becker unpack Perilous Bodies, Radical Love, and the upcoming Utopian Imagination exhibitions — three exhibitions that formed one series for the Ford Foundation Gallery’s inaugural year.
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In Hong Kong, Protestors Are Using Zines to Get Their Messages Out
The speed with which the Hong Kong demonstrators’ informative zines have been distributed, collected, and even exhibited internationally is remarkable. We spoke with ZineCoop, one of the groups behind the effort, to discuss why they are so powerful.
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An Artist Designs a Handbook to Help Migrants Survive
If art and culture can go beyond symbolic power and occupy both poetic and utilitarian registers, Mladen Miljanović succeeds with his Didactic Wall exhibition.
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A Cookbook That Relishes the Impure and Adulterated
The Bastard Cookbook is more than a collection of recipes; it is a form of resistance against nationalism and xenophobia — and an homage to co-creation rather than assimilation
Posted inBooks
What Happened When Fred Wilson Dug Beneath a Museum’s Floorboards
The book Mining the Museum: An Installation by Fred Wilson published in 1994 has particular insights that go beyond institutional critique and into our individual complicities that are crucial to consider now.
Posted inFilm
Negotiating and Understanding the Threats to Inuit Life in Canada
The video art of Isuma, the first international media organization created by and for Indigenous peoples, highlights the contemporary and historical impasses they are forced to navigate.
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A Unique Program Pays You to Visit Museums as a Guest Critic
A conversation with Maia Chao and Josephine Devanbu, the founders of Look at Art. Get Paid., a program that pays people who wouldn’t otherwise visit art museums to visit one as guest critics of the art and the institution.
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One Museum’s Complicated Attempt to Repatriate a “Benin Bronze”
The RISD Museum has held this Benin bronze head in its collection for 80 years. “No one would have given it up unless under duress,” the curators say. But tracing its provenance and repatriating it is no simple matter.