The 2023 Veteran Art Triennial & Summit proves that the tools of the colonizer, the occupier, and the oppressor can be used to resist and persist.
Lori Waxman
Lori Waxman has been the Chicago Tribune’s primary art critic since 2009. She teaches art history at the School of the Art Institute of Chicago and performs occasionally as the “60 wrd/min art critic,” including at dOCUMENTA (13). She is the recipient of a Warhol Foundation Arts Writers Grant and a 2018 Rabkin Prize. Her book, Keep Walking Intently (Sternberg Press), offers a history of walking as an art form.
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Art for the End of Time
There are no common moves among artists in The Chicago Cli-Fi Library, except environmental grief as expressed through art-making.
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Keep an Eye Out for These Emerging Chicago Artists
Ground Floor at the Hyde Park Art Center is a sensitively curated selection of works by exceptionally promising young artists.
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Chicago’s Drawing Biennial Has Something for Everyone
Each artist has one to three examples, in such a broad range of styles that if you can’t find something of interest here, that’s probably on you.
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Historical Revisionism Gets Mischievous in Chicago
Two solo shows in Chicago are must-sees for anyone who cares about feminism and how it intersects with modernist architecture, urban planning, and design.
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Celebrating “Weird” Art in Chicago
Rocks, ducks, and a self-organized survey of Gingham are some of the things to see right now in four Chicago art galleries.
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A Difficult but Necessary Exhibition About Roadkill
Jeanne Dunning’s works attest to widespread human disregard for animal life, and their finished form insists on both their deadness and how it happened.
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Alberto Aguilar Becomes the National Museum of Mexican Art
What’s an artifact, what’s an artwork, what’s a prop, what’s decoration, what’s disposable — these are questions that Aguilar has taken up with great enthusiasm.
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If They Won’t Come to the Museum, Then the Museum Must Go to Them
With A Lion for Every House at the Art Institute of Chicago, Floating Museum riffs wildly on the art rental programs of some museums.
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A Film Asks: What Is Home?
In Nadav Assor and Tirtza Even’s film Chronicle of a Fall, on immigrant cultural workers in the US, there is no singular, stable view of anything.
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The Afterlives of Art Scraps
Artists Selina Trepp, Leslie Baum, and Diane Christiansen repurpose their own and others’ creations into new artworks.
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Four Chicago Galleries Explore the Art of Arranging
An ingenious arrangement can engender awareness of spatial relationships, provide a much-needed sense of order, or offer purely aesthetic mysteries.
