Feature
Unofficial Iraqi Pavilion Pops Up in Venice, but Not That One
Ali Eyal and David Horvitz satirize America’s oil war in an installation at a Chevron gas station on Venice Boulevard.
Matt Stromberg is a freelance visual arts writer based in Los Angeles. He is a frequent contributor to Hyperallergic and is also an associate instructor in Art at Mt. San Jacinto College.
Feature
Ali Eyal and David Horvitz satirize America’s oil war in an installation at a Chevron gas station on Venice Boulevard.
News
Students held signs protesting staff layoffs at the esteemed Southern California art school as Ravi S. Rajan took the stage.
Feature
This year’s edition of the annual Printed Matter show unearths and remixes historical media, collapsing time and giving the past new relevance.
Guide
Remembering Celeste Dupuy-Spencer, Yoko Ono’s first museum show in LA, Richard Mayhew’s “mindscapes,” Gordon Parks’s musical output, and more.
Obituary
He transformed found materials and cast-off debris into poetic representations of impermanence, suffused with pathos and humor.
News
The gallery was known for its fearless, playful programming and support of unconventional work and exhibitions.
Feature
Some visitors may feel unmoored by the museum’s open plan and free-floating associations, but others will welcome the unconventional approach.
Guide
David Alekhuogie’s defiant collage, Hannah Tishkoff’s visual poetry, an iconic Angeleno printmaking studio, portraits of Palestinian journalists, and more.
Feature
The Broad invites us into the late artist’s obsessively iterative practice, where oversized tables and chairs give way to more elusive, personal forms.
Feature
The farmworker movement led by Chávez and Dolores Huerta, one of his accusers, has been a central influence for generations of Latine and Chicano artists.
Guide
The artists of Nature Morte gallery, Hayv Kahraman’s painted libations, Jesse Wiedel’s screwball American dream, the late Nona Olabisi’s homegrown muralism, and more.
Frieze Los Angeles
Intentionally or not, this year’s edition brought issues of class, labor, and immigration into the fair tent.