An exhibition at the Philadelphia Museum of Art features Smith’s many and manifold book artworks.
Dom Sylvester Houédard, friends with the beatniks, littered his texts with references to god and prayer, and had a peculiar sense of humor.
Covering the span of 1890 to 1959, A Visual History of Graphic Design illustrates design advancements alongside historical events, from the founding of Pepsi-Cola to the stock market crash.
In Nicole Claveloux’s comic collection, The Green Hand and Other Stories, we move through dream states with highly idiosyncratic characters.
In Chris Ware’s latest book, Monograph, he confronts his past self through various ephemera and remembrances.
Vincent Sardon’s The Stampographer, published by Siglio Press, collects the witty designs he makes with rubber stamps, which are sometimes several feet long.
New books by Keiler Roberts and Sina Grace share accounts of their ongoing battles with depression and their careers as comic artists.
In a conversation with poet Ulf Stolterfoht, a chatbot pushes language towards its breaking point in a way no human could.
Françoise Mouly and Nadja Spiegelman will release the second issue of their free periodical that centers women’s voices on July 4.
Printed Matter’s exhibit Sally Alatalo: Narrative in Revision includes experimental magazines, printed ephemera, and newer digital works.
Coco Picard’s The Chronicles of Fortune is a story about learning how to grapple with the role of death in life.
In a new space for its fifth edition, the art book and zine fair renewed its focus on independent publishers and had a strong community ethos.