Now more than ever archives are in a transition, one that offers an opportunity for new potential at a time when there’s nostalgia for old, dusty cardboard boxes.
Looking at Marcia Kure’s watercolors and collages, the word that comes to mind is “torque.”
Richard Kraft’s Here Comes Kitty: A Comic Opera explodes off the page.
What do the ’80s post-punk band Liquid Liquid, faded family photographs, and Art Spiegelman have in common? All contributed to the creation of Richard McGuire’s latest graphic novel, Here.
The premiere live performance of conceptual artist Charles Gaines’s “Manifestos 2” (2013) at the Museum of Modern Art on September 27 was nothing short of synesthetic.
When Christopher Williams’s retrospective, currently on view at the Museum of Modern Art (MoMA) in New York, was first proposed, the artist says he was uncomfortable with the idea of a survey.
“I began thinking more about myself as an artist with a civic responsibility,” said artist Nick Cave to Mass MoCA curator Denise Markonish during a conversation last Friday evening at Jack Shainman Gallery.
The soothing piano music and soulful singing of Marian Anderson’s “Trampin’” filled the auditorium as artist Adam Pendleton began his performance at the Museum of Modern Art.
Ironically, Leslie Hewitt’s Monday night lecture on Carl Andre, which examined ways of escaping the hegemony of art and political history, was protested by those who opposed Carl Andre’s place within that history.
In one of the final remarks of her talk last Monday for the Dia Art Foundation’s Artists on Artists lectures, Frances Stark hit on the essence of the series: “Being an artist is about falling in love with other artists.”
“Wasn’t pot your gateway drug to gardening?” Lawrence Weschler asked Fred Tomaselli teasingly during their recent conversation for the New York Public Library’s Art and Literature Series.