The melodies of British composers Grieg and Elgar mixed with chatter and voices repeating “Gordon’s makes us drunk” can be heard faintly as you enter Gilbert & George: The Early Years.
Whether you’re interested in limited edition screenprints, Xerox zines, or full color photo books, there is something for everyone at Blonde Art Books’s Bushwick Art Book and Zine Fair this weekend.
Those familiar with the artwork of Jean-Michel Basquiat will agree that he is a writer.
SYNAPSE curators Anna-Sophie Springer and Etienne Turpin set out to investigate the Anthropocene hypothesis: that humanity’s impact on the earth has been so great that it necessitates a new geological age.
Now more than ever archives are in a transition, one that offers an opportunity for new potential at a time when there’s nostalgia for old, dusty cardboard boxes.
Looking at Marcia Kure’s watercolors and collages, the word that comes to mind is “torque.”
Richard Kraft’s Here Comes Kitty: A Comic Opera explodes off the page.
What do the ’80s post-punk band Liquid Liquid, faded family photographs, and Art Spiegelman have in common? All contributed to the creation of Richard McGuire’s latest graphic novel, Here.
The premiere live performance of conceptual artist Charles Gaines’s “Manifestos 2” (2013) at the Museum of Modern Art on September 27 was nothing short of synesthetic.
When Christopher Williams’s retrospective, currently on view at the Museum of Modern Art (MoMA) in New York, was first proposed, the artist says he was uncomfortable with the idea of a survey.
“I began thinking more about myself as an artist with a civic responsibility,” said artist Nick Cave to Mass MoCA curator Denise Markonish during a conversation last Friday evening at Jack Shainman Gallery.
The soothing piano music and soulful singing of Marian Anderson’s “Trampin’” filled the auditorium as artist Adam Pendleton began his performance at the Museum of Modern Art.