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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Mimi Sheller

Mimi Sheller, Ph.D., is professor of Sociology and founding director of the Center for Mobilities Research and Policy at Drexel University in Philadelphia. She is President of the International Association for the History of Transport, Traffic and Mobility, founding co-editor of the journal Mobilities, and associate editor of the journal Transfers. Her books include Democracy After Slavery: Black Publics and Peasant Radicalism in Haiti and Jamaica (2000); Consuming the Caribbean: From Arawaks to Zombies (2003); Citizenship from Below: Erotic Agency and Caribbean Freedom (2012); and Aluminum Dreams: The Making of Light Modernity (2014).

Posted inArt

Resituating Kerry James Marshall in a Black Radical Tradition

by Mimi Sheller January 24, 2017January 25, 2017

Curators have extensively referenced the white, male, Western canon of painting, but mostly ignore the ways in which Marshall’s work fits into and extends black visual culture.

Flowers on a River: The Art of Chinese Flower-and-Bird Painting, 1368–1911
Sponsored

Flowers on a River: The Art of Chinese Flower-and-Bird Painting, 1368–1911

Over 100 masterworks by 59 artists spanning the Ming and Qing dynasties are on view at China Institute Gallery in New York.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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