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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Natalie Haddad

Natalie Haddad is an editor at Hyperallergic and art writer. She received her PhD in Art History, Theory and Criticism at the University of California San Diego. Her research focuses on World War I and Weimar-era German art. She has written extensively on modern and contemporary art and has contributed essays to various art publications and exhibition catalogues.

Posted inFilm

The Comedians Who Helped Define Generation X

Avatar photo by Natalie Haddad April 23, 2023April 26, 2023

In the early ’90s, the Kids in the Hall transgressed boundaries of propriety, gender, sexuality, even species as an alternative to binary thinking.

Posted inArt

Views From the End of Human Expansion

Avatar photo by Natalie Haddad February 14, 2023February 14, 2023

Five Southern California Views taps into the mythology of the West as an expanse for the imagination, only to decenter the human presence.

Posted inArt

War, Bloodshed, and the German Grotesque 

Avatar photo by Natalie Haddad February 6, 2023February 9, 2023

The works that best exemplify a uniquely German grotesque in Reexamining the Grotesque are those that reflect the war and Weimar years.

Posted inArt

Can Commodities Really Critique Commodity Culture?

Avatar photo by Natalie Haddad October 24, 2022October 25, 2022

Given a platform to say something — about first-world capitalism, its attendant environmental destruction, or the definition of the self through objects — why not use it?

Posted inFilm

The Happily Haunted Cinema of Guy Maddin

Avatar photo by Natalie Haddad October 14, 2022October 30, 2022

The twilight state between dreaming and waking that permeates a restoration of Maddin’s Tales from the Gimli Hospital echoes that of life and death in his films.

Posted inArt

Lynda Benglis Basks in the Light of Her Art

Avatar photo by Natalie Haddad June 23, 2022June 23, 2022

In Benglis’s latest works, the forces of gravity that defined her seminal poured latex and polyurethane pieces are traded for luminous bronzes.

Posted inArt

Reveling in the Ruins of the Past

Avatar photo by Natalie Haddad May 5, 2022May 6, 2022

In attempting to convey atrocities that confound language, artist Phyllida Barlow comes up against a paradox with no easy resolution.

Posted inArt

The Prescient Politics of a Seminal Conceptual Photographer

Avatar photo by Natalie Haddad April 5, 2022April 6, 2022

Nearly a decade after his death in 2013, Phel Steinmetz’s attention to the effects of capitalism on the environment can be recognized as both political and prescient.

Posted inArt

The Cerebral Art of Wrestling

Avatar photo by Natalie Haddad October 21, 2021October 21, 2021

Wrestling is less a physical act than a psychological space in Mark Yang’s paintings.

Posted inArt

The Politics of Desire and Oppression in Anita Steckel’s Art

Avatar photo by Natalie Haddad October 13, 2021October 20, 2021

Steckel compelled audiences to acknowledge uncomfortable realities about systemic sexism that persist decades later.

Posted inArt

Jon Pylypchuk’s Chorus of Loss

Avatar photo by Natalie Haddad July 31, 2021July 30, 2021

Pylypchuk’s art has always been deeply engaged with the most painful parts of life, those that human beings tend to push aside or deny in order to get by.

Posted inArt

Paulina Peavy, the Spiritualist Artist Who Channeled a UFO

Avatar photo by Natalie Haddad July 14, 2021July 15, 2021

Through her encounters with the spirit Lacamo, Peavy developed a cosmology based on 12,000-year cycles of evolution.

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SITE Santa Fe Opens Bruce Nauman’s First Solo Exhibition in New Mexico
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SITE Santa Fe Opens Bruce Nauman’s First Solo Exhibition in New Mexico

His Mark features a collection of new and recent video installations, including never-before-shown self-portrait work and 3D video.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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