In the early ’90s, the Kids in the Hall transgressed boundaries of propriety, gender, sexuality, even species as an alternative to binary thinking.
Natalie Haddad
Natalie Haddad is an editor at Hyperallergic and art writer. She received her PhD in Art History, Theory and Criticism at the University of California San Diego. Her research focuses on World War I and Weimar-era German art. She has written extensively on modern and contemporary art and has contributed essays to various art publications and exhibition catalogues.
Posted inArt
Views From the End of Human Expansion
Five Southern California Views taps into the mythology of the West as an expanse for the imagination, only to decenter the human presence.
Posted inArt
War, Bloodshed, and the German Grotesque
The works that best exemplify a uniquely German grotesque in Reexamining the Grotesque are those that reflect the war and Weimar years.
Posted inArt
Can Commodities Really Critique Commodity Culture?
Given a platform to say something — about first-world capitalism, its attendant environmental destruction, or the definition of the self through objects — why not use it?
Posted inFilm
The Happily Haunted Cinema of Guy Maddin
The twilight state between dreaming and waking that permeates a restoration of Maddin’s Tales from the Gimli Hospital echoes that of life and death in his films.
Posted inArt
Lynda Benglis Basks in the Light of Her Art
In Benglis’s latest works, the forces of gravity that defined her seminal poured latex and polyurethane pieces are traded for luminous bronzes.
Posted inArt
Reveling in the Ruins of the Past
In attempting to convey atrocities that confound language, artist Phyllida Barlow comes up against a paradox with no easy resolution.
Posted inArt
The Prescient Politics of a Seminal Conceptual Photographer
Nearly a decade after his death in 2013, Phel Steinmetz’s attention to the effects of capitalism on the environment can be recognized as both political and prescient.
Posted inArt
The Cerebral Art of Wrestling
Wrestling is less a physical act than a psychological space in Mark Yang’s paintings.
Posted inArt
The Politics of Desire and Oppression in Anita Steckel’s Art
Steckel compelled audiences to acknowledge uncomfortable realities about systemic sexism that persist decades later.
Posted inArt
Jon Pylypchuk’s Chorus of Loss
Pylypchuk’s art has always been deeply engaged with the most painful parts of life, those that human beings tend to push aside or deny in order to get by.
Posted inArt
Paulina Peavy, the Spiritualist Artist Who Channeled a UFO
Through her encounters with the spirit Lacamo, Peavy developed a cosmology based on 12,000-year cycles of evolution.
