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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Natalie Haddad

Natalie Haddad is an editor at Hyperallergic and art writer. She received her PhD in Art History, Theory and Criticism at the University of California San Diego. Her research focuses on World War I and Weimar-era German art. She has written extensively on modern and contemporary art and has contributed essays to various art publications and exhibition catalogues.

Posted inArt

Artists of the Darkness and Light

by Natalie Haddad November 30, 2019December 7, 2019

While Tatsumi Hijikata and Eikoh Hosoe reflected the countercultural mood of Japan’s postwar avant-garde, the trauma of World War II is inscribed in both artists’ aesthetics.

Posted inArt

Can a Porn Website Liberate Women in Art?

by Natalie Haddad November 16, 2019December 3, 2019

The Pleasure Principle at Maccarone wavers between issues of women’s representation and those of pornography and art, without fully committing to either.

Posted inArt

The Divine Light of Josef Strau

by Natalie Haddad June 15, 2019June 14, 2019

Strau’s collage-paintings merge the word and the light, while positing the shared slipperiness of language and faith.

Posted inArt

Strong Women and Male Privilege at the Felix Art Fair

by Natalie Haddad February 23, 2019February 23, 2019

Kaari Upson’s work resonated with the excesses and liberties that characterize the relationship in Hollywood between powerful men and less powerful women.

Posted inMusic

Pioneers of Michigan’s Noise Scene Return to Their Land

by Natalie Haddad September 8, 2018September 14, 2018

The 2018 incarnation of Universal Eyes has been a moment to look forward to, and an opportunity to look back on the noise and experimental music scene that emerged in the 2000s in Michigan and the Midwest.

Posted inArt

Emory Douglas’s Language of Revolution

by Natalie Haddad August 25, 2018August 24, 2018

Douglas’s historical and new works, shown alongside pieces by younger artists, draw a line of influence between the two generations and establish a community of shared concerns.

Posted inArt

Art and the Ascent of the Third Reich

by Natalie Haddad May 19, 2018May 18, 2018

By returning to the details of life embedded in bodies, objects, and the earth, the artists featured in Before the Fall at Neue Galerie conveyed the hope that the world might reassemble itself.

Posted inArt

The Everyday Politics of Conceptual Art

by Natalie Haddad May 5, 2018May 4, 2018

While Michael E. Smith’s sculptures and installations draw on conceptual art, his practice centers on the objects he uses, and the messy details of life.

Posted inArt

Richard Aldrich’s Elliptical Paths Through Language

by Natalie Haddad April 14, 2018April 13, 2018

Aldrich brings a rich sense of materiality to a practice founded on the gap between images and language.

Posted inArt

A Homecoming for Mike Kelley and Jim Shaw

by Natalie Haddad February 10, 2018February 9, 2018

For fans of Kelley and Shaw, Michigan Stories is a kind of origin story, a way to decipher the work of two multifaceted and prolific artists.

Posted inArt

The Cosmic Utopianism of Two Fin-de-Siècle Collectives

by Natalie Haddad January 13, 2018February 20, 2018

The exhibition is strongest conceptually when the curators focus on the artist collectives that sought a new social and cosmic order through art.

Posted inArt

Françoise Grossen’s Gift of Quietude

by Natalie Haddad December 23, 2017December 22, 2017

Grossen’s rope sculptures complicate the boundary between art and craft in a productive way.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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