While Tatsumi Hijikata and Eikoh Hosoe reflected the countercultural mood of Japan’s postwar avant-garde, the trauma of World War II is inscribed in both artists’ aesthetics.
Natalie Haddad
Natalie Haddad is an editor at Hyperallergic and art writer. She received her PhD in Art History, Theory and Criticism at the University of California San Diego. Her research focuses on World War I and Weimar-era German art. She has written extensively on modern and contemporary art and has contributed essays to various art publications and exhibition catalogues.
Posted inArt
Can a Porn Website Liberate Women in Art?
The Pleasure Principle at Maccarone wavers between issues of women’s representation and those of pornography and art, without fully committing to either.
Posted inArt
The Divine Light of Josef Strau
Strau’s collage-paintings merge the word and the light, while positing the shared slipperiness of language and faith.
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Strong Women and Male Privilege at the Felix Art Fair
Kaari Upson’s work resonated with the excesses and liberties that characterize the relationship in Hollywood between powerful men and less powerful women.
Posted inMusic
Pioneers of Michigan’s Noise Scene Return to Their Land
The 2018 incarnation of Universal Eyes has been a moment to look forward to, and an opportunity to look back on the noise and experimental music scene that emerged in the 2000s in Michigan and the Midwest.
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Emory Douglas’s Language of Revolution
Douglas’s historical and new works, shown alongside pieces by younger artists, draw a line of influence between the two generations and establish a community of shared concerns.
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Art and the Ascent of the Third Reich
By returning to the details of life embedded in bodies, objects, and the earth, the artists featured in Before the Fall at Neue Galerie conveyed the hope that the world might reassemble itself.
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The Everyday Politics of Conceptual Art
While Michael E. Smith’s sculptures and installations draw on conceptual art, his practice centers on the objects he uses, and the messy details of life.
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Richard Aldrich’s Elliptical Paths Through Language
Aldrich brings a rich sense of materiality to a practice founded on the gap between images and language.
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A Homecoming for Mike Kelley and Jim Shaw
For fans of Kelley and Shaw, Michigan Stories is a kind of origin story, a way to decipher the work of two multifaceted and prolific artists.
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The Cosmic Utopianism of Two Fin-de-Siècle Collectives
The exhibition is strongest conceptually when the curators focus on the artist collectives that sought a new social and cosmic order through art.
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Françoise Grossen’s Gift of Quietude
Grossen’s rope sculptures complicate the boundary between art and craft in a productive way.