Art Review
For Glenn Ligon, Language Is Material
An exhibition of Ligon’s well-known works at the Brant Foundation shows how language fails us and confronts us with silence.
Natalie Haddad is Reviews Editor at Hyperallergic and an art writer and historian. She holds a PhD in Art History, Theory and Criticism from the University of California San Diego and has written extensively on modern and contemporary art.
Art Review
An exhibition of Ligon’s well-known works at the Brant Foundation shows how language fails us and confronts us with silence.
Guide
Our favorite shows right now address systemic abuses in the US with style and intelligence, but we’re also enjoying some intimate and abstract works.
Art Review
The more you connect the dots in his work, the more the insidious and catastrophic work of the US government, law enforcement, and military come to the fore.
Guide
Dig into new and upcoming tomes on the long lineage of LGBTQ+ art, from Beauford Delaney’s bond with James Baldwin to iconic lesbian photographer JEB and Alice Austen.
Guide
Repurposed objects by Kiah Celeste and Yuji Agematsu and re-imagined architecture by feminist architect Phyllis Birkby are among our favorite artworks this week.
Art Review
Her gorgeous, tactile sculptures are not just symbolic of human lives, but reflections of embodiment in all of its fragility and resilience.
Art Review
From ceramic alligators to Nordic traditions, artists focusing on personal concerns and identity are making some fascinating work.
Art
From local concerns in the Bronx to global issues in Queens, plus a trip to see Indigenous art in New Jersey, our favorite art is far-reaching right now.
Art Review
The Book of Marvels is the kind of show that’s hard to avoid at archival art institutions, wherein problematic historical content, aesthetic appeal, and fantasy all intersect.
Art
Nancy Elizabeth Prophet, Claudia Alarcón, and Nanette Carter are three of the artists whose work we’re enjoying, among many shows that pack a punch.
Art Review
“Gordon Matta-Clark: NYC Graffiti 1972/3” has the feel of a time capsule that never veers too far into didacticism, while the art almost makes you feel like you’re there.
Books
The art of Marsha P. Johnson, Yoko Ono reappraised, Jack Whitten’s studio notebook, a fictional curator’s Greece trip goes awry, and more to read this season.