Art
Tamuna Sirbiladze’s Visions of Wrenching Intimacy
In Not Cool but Compelling, the artist's works churn with the turmoil of life, like emotions sketched in real time.
Natalie Haddad
Natalie Haddad is Reviews Editor at Hyperallergic and an art writer and historian. She holds a PhD in Art History, Theory and Criticism from the University of California San Diego and has written extensively on modern and contemporary art.
Art
Five Art Shows to See in New York Before July Ends
From a Christmas-themed show to a window exhibition at Chinatown’s oldest running shop, this hot month is full of surprises.
Guide
Seven Art Shows to See in NYC Right Now
From Eva Hesse’s spectacular sculptures to Walton Ford’s fantastic beasts, make sure to catch some of New York’s best shows this July.
Art
Otto Dix’s Visions of War
What Dix conveys so deftly is that terror and trauma are felt, not thought, and art about these experiences fails when it tries to make sense of things.
Interview
Deborah Bright’s Art Puts the Sex Back in Sexuality
“My desires are pretty fluid and I openly embrace the different erotic subjectivities that inhabit my brain,” the artist said in an interview with Hyperallergic.
Interview
Carrie Yamaoka Thrives Between the Cracks
“For years I was an emerging artist and then it seemed like I couldn’t be called emerging anymore. Let’s hope we are all emerging, always,” the artist said.
Art
Five Highlights From Detroit’s Queer Art Biennial
With more than 180 artists, I’ll Be Your Mirror shows the depth and range of the city’s creativity as well as its diverse LGBTQ+ community.
Interview
Kate Bornstein's Life Through Four Dimensions of Gender
A freewheeling interview with the 76-year-old trans activist, artist, playwright, actor, and OG gender outlaw.
Art
Two Pioneering Photographers’ Versions of Femininity
A joint exhibition at London’s National Portrait Gallery makes clear the force of Francesca Woodman’s authorial voice and Julia Margaret Cameron’s radicality.
Music
Remembering Indie Rock Icon Steve Albini
Albini may be best known for his work on Nirvana’s In Utero, but it was his own bands, Big Black and Shellac, that made him a badass.
Satire
Gallery Owner “Shocked” That Showing Black Figurative Painter Didn't Solve Systemic Racism
Art dealer Gloria McWhitey said she couldn’t believe minority groups were still disenfranchised, “even after all that money we spent on our Basel booth.”
Art
Alanis Obomsawin Wants the Children to Know
At the center of the acclaimed Abenaki filmmaker’s practice is her effort to counter White, colonialist versions of history.