Film
MTV’s The Exhibit Is Back With an Inflatable Dolphin
Episode four, in which artists tackled themes of justice and injustice, was the most lifeless of the reality TV show so far.
Rhea Nayyar (she/her) is a New York City-based staff reporter at Hyperallergic. She received a BFA from Carnegie Mellon University and has a passion for small-scale artworks, elevating minority perspectives, and dogspotting at art world events.
Film
Episode four, in which artists tackled themes of justice and injustice, was the most lifeless of the reality TV show so far.
News
The sale to outsider bidder Jacob Garlick puts an end to the protracted legal battle between the iconic skyscraper’s five former owners.
News
The “Free Admission” campaign is advocating to make ticket pricing information more transparent to visitors, who may be confused or misled by institutions’ language.
News
New guidance from the US Copyright Office sets some policies around AI-generated images.
News
The 17th-century object remains on display at the Chicago museum despite Nepal’s calls for repatriation.
News
A report by the International Consortium of Investigative Journalists revealed hundreds of works once owned by people accused of or convicted of antiquities crimes.
Film
In episode three, the artists created works about the pandemic and bonded with each other, which is cute but doesn’t really make for good TV.
News
A new collaboration between the artist and Avant Arte invites users to flip the bird anywhere and everywhere on Google Maps.
News
Nancy Yao, the embattled president of NYC’s Museum of Chinese in America, has been chosen to lead the forthcoming American Women’s History Museum.
Film
Today, screening in Manhattan in a partial retrospective of the queer filmmaker’s work, challenges us to look at what’s right in front of us.
News
A staff member at the Portland Art Museum told her the basket violated the museum's "no backpacks" policy.
Film
The ceremony’s rendition of the Indian Telugu-language song "Naatu Naatu" is indicative of under-representation across the industry, critics say.