Art
Remembering an Artist Who Fought to Have It All
An artist, mother, and source of inspiration for Detroit artists, the legacy Rose Brown Dalessandro leaves behind is not simply one of form, but one of the struggles attendant to its creation.
Sarah Rose Sharp is a Detroit-based writer, activist, and multimedia artist. She is primarily concerned with the experiences of making and engaging with art, and researching the state of contemporary art in postindustrial and redeveloping cities.
Art
An artist, mother, and source of inspiration for Detroit artists, the legacy Rose Brown Dalessandro leaves behind is not simply one of form, but one of the struggles attendant to its creation.
News
Firefighters were delayed from doing more than monitoring the blaze at the Heidelberg Project site due to a succession of five non-working fire hydrants — possibly the result of ongoing water main repairs.
In Brief
The Old Master's religious painting was hanging in a kitchen in Compiègne for 35 years before it was recognized. It will go to auction with a high estimate of $6.5 million.
Art
A show of new works at SPACES asked six artists to research and interpret key concepts connected with gun violence.
In Brief
The artist-designed ArtyCapucine bag by Louis Vuitton comes with one of six odd sculptures based on products you can buy in a grocery store.
In Brief
These lenticular stamps depict two histories: one set in a time when dinosaurs ruled the Earth and another when only their bones remained.
In Brief
Maurizio Cattelan's golden throne was stolen from the Blenheim Art Foundation.
News
Relish Italian luxury retailer Seletti's "Burger Chair" — which looks uncannily like Claes Oldenburg's "Floor Burger."
Books
Through a range of visual and poetic essays, Lisa Barnard’s The Canary and The Hammer offers a heady examination of our enduring fascination with the element.
Art
"Project [1]: Crossed Lines" demonstrated that performers are changing stereotypes about art and disability.
News
Congressional hopeful Peter Meijer rescinded permission for the showcase at a venue he owns, questioning whether or not the performers could provide “informed consent.”
Art
Landlord Colors at Cranbrook Art Museum tries to “elevate” art borne of economic hardship and upheavals, but such art needs no elevation; the viewer must seek and find its level.