Sarah Rose Sharp is a Detroit-based writer, activist, and multimedia artist. She is primarily concerned with the experiences of making and engaging with art, and researching the state of contemporary art in postindustrial and redeveloping cities.
Art
The Detroit/Puerto Rico Solidarity Exchange Network aims to strengthen connections between Puerto Ricans on the island and those in the diaspora, and make new ones with activists in the Motor City.
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Does the political content of his art translate to a botanical garden and sculpture park in Michigan?
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At Volume Gallery, Anders Ruhwald is showing small, colorful ceramics that don't generally leave his studio.
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At 21c, where does the art end and the hotel begin?
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At Angela Meleca Gallery, five contemporary Lebanese artists consider their relationships to their home country.
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Visions from India, the newest exhibition from the Pizzuti Collection, is a celebration of material abundance.
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A survey at the Columbus Museum of Art spotlights the remarkable work of the American artist, who was dogged in her convictions and a master of her medium.
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It is no small feat that Marie Selby Botanical Gardens managed to provide a new perspective on an exhaustively studied painter and perennial favorite of the art world.
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From a patchwork of shantytowns to retail spaces, Tracey Snelling's miniature worlds describe the disorder of life and offer a compelling argument that the way we inhabit space is subjective.
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Anne Patterson's installation Pathless Woods at the Ringling Museum of Art suggests a walk through the woods, despite having none of the literal characteristics of the outdoors.
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Adriana Martínez, who has organized a multi-faceted collective in Bogotá, focuses on the geopolitical implications of resource distribution in her art.
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A visit to the 2017 Biennale Internationale Design Saint-Étienne offers an important reminder that we're surrounded by designs created to encourage some behaviors and obstruct others.