Seph Rodney, PhD, is a former editor for Hyperallergic, and is now a regular contributor to Hyperallergic and the New York Times. He received the Rabkin Prize for arts journalism in 2020 and an Andy Warhol Foundation Arts Writers Grant in 2022.
Art
A new initiative undertaken at the Mississippi Museum of Art wants to have "more conversations about race." I didn't fully understand the need for such a program until I visited the Mississippi Civil Rights Museum.
Performance
In “The Let Go” at the Park Avenue Armory, the artist explores jubilation washed with spectacle and an undertow of anguish.
Interview
In June, the Metropolitan Museum of Art announced it was launching an initiative to support partnerships for artists who have a social practice focus. We reached out to one of the artists, Miguel Luciano, to find out what this initiative means to him and his work.
Books
Whitewalling is an important book that provides historical context for our current and recent controversies around protest; however, it would have been a stronger effort if the author had adopted a more consistent analytical and rhetorical approach.
Art
The exhibition, which consists of photography culled from the Addison Gallery of American Arts’s collection, demonstrates that the gun exists as an ideal, a prop for power, a tool, and as a metaphor.
Art
The institution recently opened Picturing Mississippi, which presents a journey through the state's charged history sprinkled with salient contemporary art.
Art
While galleries often promise "an immersive, multimedia exhibition," this exhibition is constructed with a sense of wonder, curiosity that works.
Interview
Last week, Hyperallergic sat down with former mayor Mitch Landrieu to talk about the lessons he had learned in the process of removing Confederate monuments from New Orleans.
Art
A group of contemporary artists re-imagine the African Diaspora through references to the landscape, masks, clothes, and adornments.
Art
We cannot escape violence, Golub suggests. We cannot overcome it or circumvent it or negotiate with it.
Art
Amer's exhibition at Cheim & Read, featuring images of nude female figures made all the more seductive by her choice of materials, is an iron fist in a velvet glove.
Interview
Seph Rodney and Nile Davies discuss the retrospective of Danh Vo in a global context, scrutinizing the politics of belonging, objects, and history.