Performance
A Play Models the Human Cost of Our Economic Ecosystem
Labyrinth Theater Company’s Dolphins and Sharks centers on the necessity of wage labor and the human relations our system engenders.
Performance
Labyrinth Theater Company’s Dolphins and Sharks centers on the necessity of wage labor and the human relations our system engenders.
News
Zehra Dogan, a journalist and painter has been sentenced to two years and 10 months in prison for making a painting that depicts the destruction of the Turkish city of Nusaybin by government forces.
Art
At one of the few black-owned galleries in Harlem, a new exhibition of works by Delano Dunn is challenging, surprising, troubling, and complex.
Art
Last month, I participated in Shaun Leonardo’s "I Can't Breathe," a public, participatory workshop and performance that takes the form of a self-defense class.
Art
Amid the big, blue chip baubles, there are flickers of truly powerful and personal work at the latest edition of the vast Armory Show art fair.
Art
Raoul Peck's I Am Not Your Negro delivers brutally honest polemics about white America from James Baldwin.
Art
Public Art Fund's Commercial Break places interventions by 23 artists on advertising screens around the city.
Art
James Casebere's latest photographs show the modernist homes of Luis Barragán alluringly yet threateningly devoid of people or any signs of human habitation.
Art
Charles Platt's exhibition encrypted messages at Freight+Volume gallery uses personal things to reconstruct a narrative, or at least parts of a story through which a life might be glimpsed.
News
As a corrective to the perception that we are living in a post-truth reality, art, history, and science institutions around the world are sharing truths today through the social media hashtag #DayofFacts.
Art
The Department of Cultural Affairs is devising a plan for June 2017 that would manage and organize New York City's resources for arts and culture.
Art
In his exhibition at Thierry Goldberg Gallery, David Shrobe uses the nonsensical and irrational as tonics for the relentless instrumentalization of what we purchase and consume.