Seph Rodney, PhD, is a former editor for Hyperallergic, and is now a regular contributor to Hyperallergic and the New York Times. He received the Rabkin Prize for arts journalism in 2020 and an Andy Warhol Foundation Arts Writers Grant in 2022.
Art
The current exhibition of paintings by Francisco Oller at the Brooklyn Museum is a provocative and difficult show — a collision of curatorial strategies and recalcitrant artwork that defies the interpretive armature.
Art
There are several US organizations and libraries that contain key archives documenting art practices and work linked with AIDS and artists living with HIV.
Interview
Steven Nelson, professor of art history at UCLA, and Director of the African Studies Center, recently tweeted that he is a member of a rare and exceptional group: one of six full professors in art history, who are black, in the United States.
Art
Museum educators are crucial to museums’ long-term public engagement, but these freelancers lack the job security of a full-time, salaried position.
Art
Museum education is a significant aspect of the way museums interface with their audiences, and freelance educators have made themselves crucial to the operation of many of New York’s main art institutions.
Art
“What would you do to disrupt white supremacy in the current system of art production?
Art
This is a rare exhibition, attempting to countermand the exoticism of central African civilizations that was historically impelled by the objects’ display in princely European cabinets of curiosities.
Art
Claire Oliver is aiming for a raw, vacant, sun-filled space that would welcome ad hoc projects, allowing “creative expression for its own ends.”
Art
The South Bronx is quickly becoming a nexus of competing interests vying for control of a housing and arts frontier that could become the next Brooklyn.
Art
It's necessary for museums and historic sites to work toward greater diversity, even though trying to change thid field is “like trying to shift an aircraft carrier.”
Opinion
Here we go again. #Myhsa (aka @E_SCRAAATCH) has called attention to artist Cindy Sherman’s blackface performance in some rarely seen works from 1976 by using the tag #cindygate.
Art
The current exhibition at Canada Gallery, A Fall of Corners by Samara Golden, leads the viewer up to the threshold and almost across into an enticing, dreamlike, and slightly askew dimension.