Art
Spring/Break Art Show Is a Work of Art Worth Diving Into
Titled In Excess, this year's Spring/Break is brimming with projects that deepen and extend a feeling of immersion by being hallucinatory, obsessive, and ravishing.
Art
Titled In Excess, this year's Spring/Break is brimming with projects that deepen and extend a feeling of immersion by being hallucinatory, obsessive, and ravishing.
Art
“I was genuinely and pleasantly surprised to find innovative contemporary works among the typical somberly scholastic approach at this year’s edition of Master Drawings New York.”
Art
The collection of wonderful photographs, now online, chronicles the Alvin Ailey American Dance Theater from 1961 to 1994.
Art
It’s not just that Moufarrege broke rules key to representational fidelity; he did it so elegantly that the rules thereafter seem like arbitrary ways of holding back a sensibility best left unrestrained.
Art
Most shows can’t or don’t hold these very separate aspects in synchronous rotation: sober assessment of an art historical lineage and a feeling of intimacy. This one does.
Art
The Edward Hopper and the American Hotel exhibition invites some visitors to spend the night in a room inspired by one of Hopper's paintings, and our critic ponders who it's really designed for.
Art
The final exhibition of a trilogy at the Ford Foundation gallery imagines that our best selves have yet to be. They are on the horizon and the people who have been most oppressed, most ignored, and rejected will lead us all there.
Art
Using cubicle partitions obtained from the Texas Department of Education in Austin, Jessica Vaughn’s setup resembles a planned office airlifted from the 1980s.
Art
The installation found inside the Historic Essex Street Market building suggests both a brilliant achievement and a crypt.
Art
The Tang Teaching Museum attempts to make itself new through an exhibition that employs a variety of ways to elaborate and convey narratives.
Art
A pair of exhibitions at David Zwirner conveys the photographer's skill at perceiving arresting visual juxtapositions, revealing a consciousness that is supple and keenly insightful.
Art
Photographer Tommy Kha's Return to Sender exhibition at LMAK Gallery frames him as his own subject — a listless participant in a series of intimate encounters.