Kitty Green’s latest film is as much about societal acceptance of sexual misconduct as it is about the indignities that many workers face in the office, especially younger women.
Susannah Gruder
Susannah Gruder is a writer born and raised in Brooklyn. Her film criticism has been published in Reverse Shot, Bright Wall/Dark Room, MUBI Notebook, and IndieWire. She graduated from Kenyon College with a degree in English, and studied film at the Sorbonne in Paris.
Posted inFilm
Sundance’s Documentary Shorts Offer Brief but Powerful Glimpses Around the World
The festival’s program is especially robust this year, featuring films about the Hong Kong protests, abortion helpline volunteers, and more.
Posted inFilm
The Documentary Project That’s Followed the Same Subjects for Over 50 Years
63 Up is the latest installment in the Up series, which has revisited a set of British people every seven years since they were children, tracking their lives and development.
Posted inFilm
The Artful Amateurism of Home Movies
In MoMA’s first exhibition composed entirely of home movies, visitors are placed into the perspective of these amateur filmmakers, ever so often stumbling upon a choice moment of intimacy.
Posted inArt
Grappling With the Final Stages of a Father’s Life
Aneta Bartos seeks to capture the surreal space of memory, blurring real and imagined worlds in order to represent that which is beyond fact or fiction.
Posted inFilm
Exploring the Isolations of Age, Disability, and Depression in Japan
A trio of documentaries playing at this year’s Japan Cuts festival tackle different facets of social alienation.
Posted inFilm
How a Great American Fashion Designer Rose and Fell Along with Disco
A documentary tracks the life and work of superstar designer Halston.
Posted inFilm
Other Music Remembers a Beloved New York Record Store
The new documentary tells the story of the music institution’s life — and death.
