Art
After a plate of lukewarm gemelli in the Metropolitan Museum cafeteria, an out-of-town friend and I wandered haphazardly into the lower level of the Lehman wing, where the exhibition Bernini: Sculpting in Clay has been in residence since early October. The show, which consists primarily of terra-cot
Art
Is this Judith Bernstein’s moment? With her work now on display in two New York museums, the art world is finally catching up with this uncompromising artist. And it’s taken only four and a half decades.
Art
If you’re in the mood for a little hardcore strangeness, head over to the Morgan Library & Museum and check out Rosso Fiorentino’s “Holy Family with the Young Saint John the Baptist,” an unfinished oil on panel currently on loan from the Walters Art Museum in Baltimore.
Art
Last week the Whitney Museum announced its plan for the 2014 Biennial, which entrusts three curators with organizing the exhibition, but not as collaborators. Rather, each individual will be responsible for a single floor of the museum, dividing it, as chief curator Donna De Salvo told The New York
Art
Maybe the Whitney Museum’s exhibition Sinister Pop should be titled Discarding Pop. And by that I mean Pop as a label that implies a common mindset rather than a common set of tools.
Interview
Maria Bussmann is an artist whose work is rarely seen in this country, and so her compact new show of seven large drawings and twenty-four small ones at NYU’s Deutsches Haus represents a notable opportunity to catch a glimpse of her singular sensibility.
Art
“The Ozymandias Parade” by Edward and Nancy Reddin Kienholz has landed in the Pace Gallery like a DIY UFO — a frenzied agitprop vessel clattering into the 21st century from the Reagan era’s heart of darkness.
Art
I didn’t expect to write about the new show from Mark Bradford, who has been called by Guy Trebay of The New York Times “if not the best painter working in America today then certainly the tallest,” when I walked into Sikkema Jenkins on Tuesday morning. Despite the whimsy of Trebay’s “best/tallest”
Art
On Election Day, The New York Times featured an above-the-fold story in its Arts section about the fate of fake art as the country was deciding the fate of a fake politician. The article was illustrated by a tiny, smudged color reproduction of, as the caption states, a “disputed Jackson Pollock that
Art
You’d never find Pablo Picasso or Jackson Pollock relegated to the corridors of the Museum of Modern Art. Rarely do artists deemed essential to MoMA’s historical narrative rub elbows with the throngs swarming the escalators and passageways in endless transit from galleries to café to restroom and ba
Art
Six days before all hell broke loose, I rode the subway uptown to attend the press preview of Edvard Munch: The Scream at the Museum of Modern Art. As the preview drew to a close and the already crowded room swelled with paying customers, I asked Ann Temkin, the Marie-Josée and Henry Kravis Chief Cu
Art
One of the standouts of the new exhibition Dürer to de Kooning: 100 Master Drawings from Munich at the Morgan Library and Museum – if not the standout – is Michelangelo’s “St. Peter (after Massaccio) with Arm Studies.” (And for an exhibition bristling with stunners by Matthias Grünewald, Andrea Mant