Art
There is a rather large and forbidding object currently on display on the second floor of the New Museum. More than 9 ½ feet tall and 6 ½ feet wide, it is made up of two sections: an upper level composed of three cabinet doors, one of which is open to expose a set of gearwheels, and a mattress with
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Josef Albers’ paintings and prints have always left me cold. Maybe it’s because I’ve never been that much of a color guy. I instinctively side with Florentine disegni over Venetian colori (though I routinely melt in front of a Titian or Tintoretto), and I would take an Analytical Cubist Braque or Pi
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Of all the celebrations honoring Philip Glass on his 75th birthday, the exhibition Robert Wilson/Philip Glass: Einstein on the Beach at the Morgan Library & Museum is probably the most modest, but it is one of the most magical. It is also arguably the most in keeping with the stripped-down aesthetic
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There are 24 charcoal drawings now on display at the Museum of Modern Art that Willem de Kooning did with his eyes closed. This was not an uncommon thing for de Kooning, who often liked to close his eyes, or avert his eyes, or use them to watch TV while he drew. This may sound like a gimmick, or som
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Stephen and Timothy Quay became filmmakers entirely by accident. As Stephen recounted during the remarks that concluded the press preview for the artists’ retrospective, which opens tomorrow at the Museum of Modern Art, they were on their way to Amsterdam to take jobs as illustrators when fate inter
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Claymation has always had that special something — a lilt of life that its too-perfect digital counterparts can’t touch. Its magic resides partly in its imperfection, namely its inability to disguise its own processes. The herky-jerky motions and the impressions of the animator’s fingers reinforce i
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Last weekend in a Doylestown, Pennsylvania—which boasts not one but two locally owned, well-stocked bookstores—I picked up an old Phaidon edition of Jacob Burckhardt’s The Civilization of the Renaissance in Italy for ten bucks.
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In his Village Voice season preview for fall 2000, Jim Hoberman predicted that the upcoming premiere of the New York Film Festival would be its “most controversial opening night ever — Lars von Trier's love-it-or-loathe-it Björk-scored musical tragedy Dancer in the Dark.”
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Art and life intersect constantly in an infinitely flexible matrix. Those intersections will be the focus of Single Point Perspective, a new series from Hyperallergic Weekend.
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After last week’s post on Phyllida Barlow’s solo turn on the fourth floor of the New Museum, it seemed apropos to mention the exhibition one flight down, which is devoted to one of her better-known students from London’s Slade School, Tacita Dean: Five Americans.
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Phyllida Barlow’s installation at the New Museum, siege, doesn’t waste any time telling you who’s boss. Post-industrial, post-modern — post-everything but post-sculptural — it all but pushes you back inside the elevator.
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Jan Müller’s heart gave out when he was 36. The brevity of his life is mentioned in just about everything written about him, but his tragedy is unlike those of other, more famous artists who died too young — whether it’s Masaccio (1401–28), Egon Schiele (1890–1918), Amedio Modigliani (1884–1920) or