Author Jillian Hernandez theorizes the intersecting formations of gender, class, and race in relation to the self-presentation of Black and Latina women and girls.
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In Lewis Warsh’s Poem Composed Over Many Decades, the Past Is Never Really Past
Mortality and memory are points of inquiry in this posthumous publication.
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The Conflicted Inner Life of a Queer Literary Icon
A reimagining of the life of renowned queer author Patricia Highsmith isn’t a tale of admiration or condemnation, but one about the complex nature of womanhood.
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How Japan’s Best Ceramists “Listen” to Clay
Listening to Clay sheds light on how Japanese clay workers went from skilled production craftspeople to fine artists, transforming the country’s culture in the process.
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London’s History, Washed Up on the Shores of the Thames
Author Malcolm Russell’s novel approach to history — finding it as it washes up on the riverbanks — makes the past seem very much alive.
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The German Modernist Who Painted a Multicultural United States
From the Blackfeet reservation to Harlem, Winold Reiss immersed himself in the world of the people he represented, forming close ties with many individuals.
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Lynne Tillman Explores How Her Mother Was Transformed by Aging and Illness
Doubt and uncertainty mark her account of family inheritance, photographic portraiture, and eldercare.
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Women of Color Who Weave Connections Through Craft
Each voice in This Long Thread intersects to reveal the collective chronicles, struggles, and triumphs of women of color in today’s craft landscape.
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The Wisdom and Wonder of India’s Leading Art Historian
The riches of literature, painting, poetry, and mysticism pervade a collection of essays by B.N. Goswamy, which showcase the lyrical fluidity of his prose.
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The History of Malls as Sites of Racism and Surveillance
Alexandra Lange’s book Meet Me by the Fountain traces the evolution of shopping malls, environments that were initially designed to serve White women with children.
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The Patrons Who Sustained Sophie Taeuber-Arp
The letters between Taeuber-Arp and her patroness, Annie Müller-Widmann, show the usually invisible tending that goes into an artist-patron relationship.
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God Just Wants Us to Love Her Back
In a new graphic novel, author and cartoonist Liana Finck recasts the famously vengeful and masculine biblical God as an insecure and emotional female deity.