Opinion
The Soundscape of Genocide in Gaza
The broadcast of Netanyahu’s speech was not the first time Israel intentionally used sound and speaker systems to intimidate and terrorize the people of Palestine.
Opinion
The broadcast of Netanyahu’s speech was not the first time Israel intentionally used sound and speaker systems to intimidate and terrorize the people of Palestine.
Opinion
Instead of engaging in dialogue with its dedicated Video Data Bank staff, SAIC chose to callously cross out a budgetary line item.
Opinion
After the year we’ve had, going with Cloud Dancer can easily be interpreted as a piercing dog whistle.
Opinion
Crypto-backed artworks at Art Basel Miami Beach advance the wealth mechanisms they claim to subvert and make you, the viewer, a participant in the ploy.
Opinion
Many of my fellow curators, especially at institutions, have failed to speak out against fascism. What is it about being a curator that offers a free pass for political silence?
Opinion
It’s a striking contradiction: Four Black American artists get major shows in Europe while the American institutional capacity and constitutional protections collapse in tandem.
Opinion
I thought I’d found a safe place to make art. Instead, I entered a theatre where most perform the role of liberated artist while swallowing institutions’ diversity scraps.
Opinion
Auction headlines offer a picture of health that hides a body in crisis.
Opinion
The worst of the current market decline is not the closure of major galleries. It is the dozens of younger galleries that have gone under in the past three and a half years.
Opinion
What began as a conversation among a handful of artists has grown into a decentralized creative action, spanning more than 600 events across the country.
Opinion
One elevated the prosaic. The other merely gilded the familiar.
Opinion
Sponsored by the billionaire, its upcoming fashion show will “reveal the inherent relationship between clothing and the body.” Groundbreaking!