Opinion
Romanian artist Sebastian Cosor creates a very personal animated vision of the world inhabited by Edvard Munch's "The Scream" (1893–1910) and sets it all to the soundtrack of Pink Floyd's "Great Gig in the Sky" (1973).
Opinion
Smartphone pics aren't the only source of social media buzz circulating around Edvard Munch's "The Scream, currently at MoMA. The chatter on Twitter is pretty funny, intriguing, and sometimes revealing, even if some of it is not directly related (but funny nonetheless).
Opinion
For those still struggling to recover from Hurricane Sandy and the destruction left in its wake, we've rounded up a few more ways that you can get help.
Opinion
This week, the best thing you'll read today, the dying GIF, art auction records, the insularity of the New Aesthetic, the meaning of Edgar Degas' history paintings, and more.
Opinion
An exquisite corpse of apposite quotes from the Hyperallergic Weekend Editors. This week, as portions of the city remain decimated by Hurricane Sandy, at Sotheby's and Christie’s nearly $1 billion was spent on contemporary art.
Opinion
The Museum of Modern Art posted this pretty fantastic photo on its Facebook page today — a shot of museum staff going Gangnam Style in support of Chinese artist Ai Weiwei. If you're confused about why a New York museum would support a Chinese artist by dancing to a mega-popular song by South Korean
Opinion
ABC News has convinced Max Galuppo of Bloomsbury, NJ, who was propelled into the public spotlight when Reddit users couldn't believe how much he looked like “Portrait of a Nobleman with Duelling Gauntlet” (1562) by an anonymous artist at the Philadelphia Museum of Art, to dress up like the 16th C. I
Opinion
Ok, we may think high museum admission fees are ridiculous but this new suit by two longtime Metropolitan Museum of Art members is over the top.
Opinion
On November 11, Max Galuppo, 20, of Bloomsbury, NJ, encountered his doppelganger (aka his double) at the Philadelphia Museum of Art and the resemblance is uncanny.
Opinion
Roger Alsing's project "Genetic Programming: Mona Lisa" shows simple, transparent polygons gradually evolving into one of the more subtle and intricate compositions in art history: the Mona Lisa's face.
Opinion
The Financial Times has a short report on the partial unveiling of the Guggenheim Abu Dhabi collection at the Abu Dhabi art fair, including this interesting nugget about the non-Eurocentric focus of the collection.
Opinion
This week, designing for catastrophes, Chelsea's survival, Canada's art biennial, Toronto's take on street art, Jeff Koons and Basque separatists, and more.