Art Review
Eugène Atget, Readymade Icon
An exhibition retells the story of his discovery by Berenice Abbott, leaving out the details of a life defined by failure.
Reviews
Book Review
Claude Cahun’s Survival Guide for the Ages
A new translation of the French artist’s 1930 memoir is a kaleidoscopic collection of dialogues, sketches, and Blakean proverbs.
Art Review
James Castle Was a World Unto Himself
These works feel almost metaphysically transportive — like a universe bound by a different set of rules that’s a pleasure to explore.
Art Review
Michelle Segre’s Impermanent Worlds
By remaining open to time and its effects, Segre’s art defies the idea of permanence often associated with both sculpture and empire.
Book Review
Michelangelo and Titian’s Rivalry That May Never Have Been
William E. Wallace openly uses what he calls “informed imagination” to explore the relationship between the two masters in his new study.
Art Review
Ingrid Hernández Reveals Tijuana’s Hidden Beauty
Often seen as too American to be Mexican, too Mexican to be American, the city is presented by the artist as it is, not as anyone assumes it might be.
Art Review
For Dyani White Hawk, Love Is an Act of Resistance
Her exhibition "Love Language" invites viewers into the vibrant cultural legacies of Native art, and connections to land, lineage, and community.
Art Review
How Joan Miró and America Fell in Love
“In the future world, America, with its energy and vitality, must play a leading role,” he told Matisse.
Art Review
The African Diaspora Pictures Itself
A new exhibition rejects Western colonialism as a framework for understanding African aesthetic production.
Art Review
Édouard Manet and Berthe Morisot Meet as Equals
An exhibition sets out to rescue Morisot from the assumption that she was under Manet’s influence, but it's far from academic or revisionist.
Art Review
Ellen Harvey’s Elegy to Lost Places
Her painting series is a record of those grand and mundane places lost to time or other occurrences, whose presence we continue to mourn.
Art Review
Jeff Koons’s Reflective Sculptures Mirror the One Percent
When I picture where Koons’s sculptures belong, I think about Trump’s plan for a 90,000-square-foot ballroom, and the art collectors who funded it.