Dolores Huerta Is the GOAT

A show rewrites the narrative of the farmworkers' movement, a permanent home for Ruth Asawa in San Francisco, the museum reviving New York's downtown performance scene, and the discovery of a 7.9-inch Ancient Roman phallus.

At 96 years old, Dolores Huerta is the face of the 20th-century farmworkers’ rights movement. A relentless advocate of human dignity, she has always been its most persuasive symbol, but as monuments to United Farm Workers co-founder Cesar Chavez come down unceremoniously after abuse allegations, Huerta ascends as an emblem of hope and light. In Los Angeles, a new exhibition reflects “Huerta’s own emphasis on everyday people in the farmworker movement rather than demagogues,” writes Renée Reizman today, proving that the historic labor struggle “doesn’t need Chavez as its main character.”

New Yorkers, here's a riddle for you: Where can you spot a family of shrimp, a hot air balloon, a glamorous swan, and not one but two faux Fabergé eggs? Why, Manhattan's Easter Bonnet Parade, of course. See the costumes and couture from a most eclectic 2026 edition of the annual festival below.

Or step into Cinga Samson’s haunting paintings, guided by critic John Yau, who calls his latest works “an unexpected world we will never understand, even as we keep looking and looking.”

— Valentina Di Liscia, senior editor


Barbara Carrasco, “Dolores Huerta” (1999), silkscreen (photo Renée Reizman/Hyperallergic)

LA Artists Honor Dolores Huerta’s Defiant Spirit

In honor of the labor leader’s 96th birthday, over 30 Los Angeles artists pay homage to her lifelong fight for the rights and dignity of everyday people. | Renée Reizman


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Byron Kim: A Little Deepness at James Cohan’s 48 Walker Street Gallery

A Little Deepness brings together early large-scale skyscapes with an entire year of Byron Kim’s landmark ongoing Sunday Paintings series. Together, these works celebrate a lifelong dedication to the close observation of the natural world, offering an intimate and expansive portrait of an artist for whom abstraction has long expressed the interconnectivity of the universe.

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News

Ruth Asawa drawing at a table in the living room of her Noe Valley home, San Francisco, 1985 (photo Paul Glines; artwork © 2026 Ruth Asawa Lanier, Inc., courtesy David Zwirner)

From Our Critics

Detail of Cinga Samson, “Imfihlo” (2026), oil on canvas (photo © the artist; photo by Frankie Tyska, © White Cube)

The Unbearable Strangeness of Being

In Cinga Samson’s haunted paintings, we do not know what we are looking at, or where we are. | John Yau


Opinion

Carlos Martiel and his mother performing at the Leslie-Lohman Museum in 2026 (photo by and courtesy Walter Wlodarczyk)

The Museum Breathing Life Into New York’s Downtown Performance Scene

The Leslie-Lohman is figuring out how to collect art while connecting with the basic needs of the city’s queer community. | Tavia Nyong’o


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Paul Klee: Other Possible Worlds

The first US museum exhibition to focus on the artist’s late work, produced in response to the fascism of the 1930s. On view at the Jewish Museum through July 26, 2026.

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Easter in NYC

Eduardo Escobar in his Trip to the Moon hat at New York’s Easter Parade and Bonnet Festival on April 5, 2026 (photo Cecily Parks/Hyperallergic)

Peep the Wildest Costumes of This Year’s Easter Bonnet Parade

The decorous fashion show has evolved into a rambunctious and all-inclusive pageant of New York’s crafters, artists, and street performers. | Cecily Parks


Member Comment

Antonio C. Cuyler on Isa Farfan's “Could Colorado Create the Country’s First Artist Corporation?

Hmm…this appears an artist-led and proposed solution to the creative sector’s manufactured precarity and scarcity. I also value the potential for a democratic and mutual aid approach with bi-partisan support. Throw in community benefit agreements, and I’m sold! Alas, beware that some people may “brand” this strategy communism or socialism 🤦🏿‍♂️

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From the Archive

Imogen Cunningham, “Ruth [Asawa], kneeling amid tied-wire sculptures in her dining room” (1963) (courtesy Chronicle Books, © The Imogen Cunningham Trust)

Ruth Asawa’s Life and Legacy, in Both Art and Education

Marilyn Chase’s new biography sheds light on Asawa’s contributions to San Francisco’s public schools and its artistic community at large. | Eva Recinos