Iranian Artist Speaks Her Heart

Plus: Impressions from the reopened New Museum, impending strike at NYU, Islamic futurism, the price of Egyptian blue, and much more.

After several years of closure, the New Museum on Manhattan's Lower East Side is reopening today with a new look and expanded galleries. We attended a press preview earlier this week and came back with mixed feelings. Read our candid, messy thoughts below, plus Aaron Short's report on the business side of the $82 million facelift.

This week's edition is packed with must-reads. Leila Seyedzadeh, an Iranian artist living in New York, writes about her feelings these days as her home city of Tehran is under unceasing bombardment. David Markus, a contract professor at NYU, explains why he and his colleagues plan to strike soon. Curator Sadaf Padder acquaints us with the artists heralding Islamic futurism. Critic Aruna D’Souza muses on Zarina's architectural paintings. And in this month's Art Movements, art coach Paddy Johnson offers useful tips for how to get gallery representation. As always, there's much more. Enjoy reading and have a great weekend.

—Hakim Bishara, editor-in-chief


Installation view of Emma Talbot’s “Cosmos” (2025) in one of the landing areas of the New Museum (photo Lakshmi Rivera Amin/Hyperallergic)

What Do We Really Think of the New New Museum?

Hyperallergic’s editors sit down for an earnest conversation about the institution’s expanded building and inaugural exhibition. | Hrag Vartanian, Hakim Bishara, Valentina Di Liscia, Lisa Yin Zhang, and Lakshmi Rivera Amin

What’s So New About the New Museum Building?

The Lower East Side institution’s OMA-designed, $82 million expansion debuted this week to mixed reviews. | Aaron Short


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Pratt’s 2026 Fine Arts MFA Thesis Exhibitions, on View This Spring

Pratt Fine Arts is delighted to invite visitors to a two-part show curated by Alessandra Gómez at Dock 72 in the Brooklyn Navy Yard.

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News

A group of art workers, artists, and activists protested outside the Israeli and US pavilions at the 60th Venice Biennale on April 17, 2024. (photo Avedis Hadjian/Hyperallergic)

From Our Critics

Mary McCartney, “Being Frida, London” (2000), gicleé print (photo Liz Kim/Hyperallergic)

The Canonization of Frida Kahlo

An exhibition blasts apart any crystallized conception of the artist until no easily digestible singular figure emerges. | Liz Kim

Zarina Brought the World to New York

Her visual idiom was fully embedded in South Asian histories, but she never fell into a too-close relationship with national identity. | Aruna D’Souza


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Interdimensional Timelines: Hartford Art School Exhibits Liz Nielsen’s Photograms

As she concludes her term as the university’s Distinguished Chair in Photography, Nielsen’s “light paintings” are on view this spring in West Hartford, Connecticut.

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Opinion

Leila Seyedzadeh, “Selfportrait” (2024) (courtesy the artist)

Flying Back With the Birds to My Hometown of Tehran

Since the war began, I feel as if I am living inside a shadow. It has no physical form, yet it follows me everywhere. | Leila Seyedzadeh

I’m an NYU Contract Professor. This Is Why We Plan to Strike.

For years, NYU’s administrators have casualized the school’s teaching force, many of them artists, by creating a second tier of full-time contract faculty. | David Markus

When a Palestinian Artist Asserts Her Own Humanity

Basma al-Sharif’s screening at Kunstakademie Düsseldorf was met with threats and a smear campaign, proving the point of her films on separation and displacement. | Adam Broomberg and Michele Faguet


On View in NYC

Mini pet portraits by Ainsley Bonham Lawson at $150 a piece through New England Contemporary (photo Rhea Nayyar/Hyperallergic)

What Can $500 Buy at the Affordable Art Fair?

And, more importantly, is the work on view worth the price? | Rhea Nayyar

The Sartorial Is Political in “The New York Sari”

At the New York Historical, an exhibition reminds us that the sari is a living art form, an heirloom, a document, and a political statement in one. | Lakshmi Rivera Amin

A new display at the NY Historical traces the impact of the largest legal organization for low-income individuals in the United States. | Isa Farfan


Features

Zarah Hussain, “Infinite Light” (2025), outdoor light installation in Bradford (image courtesy David Lindsay and Bradford 2025)

Artists Set Islamic Futurism Into Motion

Islamic visual traditions have long made space for realities beyond direct perception, and these artists work in calligraphy, installation, and speculative image-making to carry them forward. | Sadaf Padder

Meet the Woman Who Made Museums More Accessible

The first head of Accessible Programs at the National Gallery of Art tells us about her path and the future of museum accessibility. | Emma Cieslik

The Tender Work of Preserving Renee Good’s Memorial

A traveling photographer has decided to stay in Minneapolis to care for the hundreds of artworks, objects, and messages left in memory of the poet and mother. | Isa Farfan


Community

Getting gallery representation is not as hard as it seems. (edit Shari Flores/Hyperallergic)

Dreaming of showing at your favorite gallery? Paddy Johnson has the masterplan.

Art Movements: And the $100K Rauschenberg Award Goes to...

Winners of the Rauschenberg Centennial Award, Madeleine Grynsztejn leaves MCA Chicago, Banksy is (maybe) unmasked, and other industry news this week.

Remembering Axel Burrough, Kazumasa Nagai, and Éliane Radigue

This week, we honor a pioneering composer, Indigenous muralist, and Upper East Side gallerist.

Required Reading

Ukrainian mosaics, artists and motherhood, Dolores Huerta speaks out, copaganda in the US, wall labels versus artworks, and is your diet a little bit fascist?

A View From the Easel

This week, artist Lex Maria repurposes school supplies and Jade van der Mark collects faces on the subway.

Want to take part? Check out our submission guidelines.


Opportunities This Month

Giovanni Battista Piranesi, “Two Workmen at Tables” (early 1770s) (image courtesy the National Gallery of Art, The Ahmanson Foundation)

Residencies, fellowships, grants, and open calls from Vermont Studio Center, the Japanese American National Museum, and more in our March 2026 list of opportunities for artists, writers, and art workers.