Daily Newsletter
Phillip Guston, Lush and Forlorn
Also, the Guggenheim Museum union authorizes a strike and new findings on human DNA in cave art.
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Art Review
Philip Guston’s Lines of Poetry
A show of his works from 1964–1978 focuses on the artist’s transformation and on his wife, poet Musa McKim, as a principal supporter and source of inspiration.
News
Human DNA in Cave Paintings Can Survive For Millennia, Study Finds
The discovery points to the future potential of archaeogenetics in recovering the identities of ancient artists from thousands of years ago.
Interview
The Ballroom Icon Who Paved a New Way
Amid all of the kitty-kat meow of today’s Vogue Fem performers, Andre Mizrahi Clark has the stern, calm energy of a lion tipping on its toes.
Queer Elders
Jack Halberstam’s Trans Theory at a Slant
Hyperallergic spoke with the scholar about transness, architecture, and how we can make a better world by first unmaking it.
News
Guggenheim Museum Union Votes to Authorize Strike
With an emphasis on job security after abrupt layoffs last year, negotiations for the second contract have been ongoing since December.
New York Newsletter
My Mayor Muslim, My Art Political
Street photographers hit the NYC streets; plus, an inside look at the Pace Gallery downsizing.
Daily Newsletter
If Artists Mapped the World
Three shows unravel the politics of cartography. Also, why does a new Messi statue look like … that?
Feature
At Upstate Art Weekend, Cars and Barns Are Galleries
During the seventh annual event, hundreds of artists proved that art has never been confined to “white cube” galleries.
Feature
See Photos From a Sweltering, Joyous NYC Pride March
I joined more than 75,000 marchers and one million spectators on Sunday, June 28, to document the parade on Stonewall's 57th anniversary.
News
Texas Tattoo Artist Gets 30-Year Sentence Over “Anti-Trump” Zines
Daniel “Des” Sanchez Estrada faces three decades in prison after he moved a box of left-wing literature in the aftermath of an anti-ICE protest.
Feature
The Artists Countermapping the World
Three exhibitions of works by Claudio Perna, Sandy Rodriguez, and Firelei Báez reclaim cartography as a medium for memory, migration, and resistance.