Weekly Newsletter
In Minor Keys, Khaled Sabsabi, Louvre Heist Film
Also, why did a New York gallerist use AI on an Ansel Adams photo?
Weekly Newsletter
Also, why did a New York gallerist use AI on an Ansel Adams photo?
Daily Newsletter
How Douglas Latchford got away with it; plus, Frank Stella’s Navajo weavings.
Daily Newsletter
Also, Aruna D’Souza interviews Australian Pavilion artist Khaled Sabsabi.
Daily Newsletter
Also, the controversy around an AI-altered version of an Ansel Adams photo.
New York Newsletter
Celebrate with a visit to Betye Saar's doll collection and Roberto Lugo's ode to Puerto Rico.
Daily Newsletter
The assemblage artist donates her doll collection to the New York Historical, and we walk you through strong performance art at the Venice Biennale.
Daily Newsletter
Also: Columbia University’s MFA show, a new Anni Albers biography, and Karla Knight’s cosmic codes.
Weekly Newsletter
A Jackson Pollock sold for a record-breaking $181 million at Christie's auction. Should it matter to anyone?
Daily Newsletter
Elizabeth Ferrer writes candidly about making “a decision I could live with,” Roberto Lugo's ode to Puerto Rico, and a new Avedon documentary in Cannes.
Daily Newsletter
Thomas J Price and Tavares Strachan are frontrunners for a new commission to honor the jazz legend.
Daily Newsletter
Plus, a show in Chicago explores the lives of Black American artists in Paris.
New York Newsletter
With the spring art fairs behind us, we can relax for a moment and enjoy some restorative community time. That’s exactly the purpose of Bahar Behbahani’s Damask Rose project at Governors Island, where artists and cultural practitioners convened to share stories, play music, and make art. Diba Mohtasham