The “Renegade Housewife” of Pop Art

Stories from a pioneering journalist and art worker, John Yau on Valerio Adami, and books of warp and weft for your reading list.

At age 98, Joan Kron has lived many lives. She invented plastic surgery journalism, helped Andy Warhol make his first perfume, hosted the Velvet Underground’s first Philly concert, and commissioned Roy Lichtenstein’s “Super Sunset Billboard.”

That 1967 artwork, a remake of which is on view in the late Pop artist’s exhibition at the Whitney, is one of countless projects she has wrangled into being from behind the scenes. In an exclusive interview today, the indefatigable Kron regales reporter Isabella Segalovich with a slice of those riotous stories, with more to come in her memoir titled The Renegade Housewives of Pop Art — I’ll be first in line at the bookstore.

Also today: WPA-era murals by Black artists in Harlem are finally restored, the art world descends on a champagne-soaked Frieze London, we recommend books on the rich histories of textile art, and critic John Yau finds echoes of Pop art in the paintings of Valerio Adami.

—Lakshmi Rivera Amin, associate editor


The 98-Year-Old Pop Art Queen Behind an Iconic Lichtenstein Billboard

Ahead of her memoir’s release, we talk to Joan Kron about Andy Warhol, beating Sidney Janis to the punch, and why she calls herself a “renegade housewife” of Pop Art. | Isabella Segalovich

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News


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Asia NOW 2026 Brings Contemporary Asian Art to Paris

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From Our Critics

Valerio Adami’s Hot and Cold Art

His syncretic style melds Pop Art’s cool, outlined forms with expressionism’s figural distortions, resulting in a perturbing ambiguity. | John Yau

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Ruby City Presents “Generative Disruption: Feminist Art from the Collection”

This latest exhibition traces the enduring influence of feminist artistic practice on contemporary art. On view Sept 26 - Aug 29, 2027

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Features

Ah, the Many Smells of Frieze London

Among them champagne, new money, and an artist’s custom-scented bathroom installations. | Naomi Polonsky

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Jazmine Hayes Charts Community Displacement, Resilience in Brownsville Art Commission

“I genuinely want any child that walks through this door to be and feel protected,” the East New York-raised artist told Hyperallergic. | Rhea Nayyar

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Member Comment

I attended OSU in the 1960s! I didn't study with Hoyt Sherman as he was on sick leave at the time, but, as a freshman, I did experience the flash lab! As I remember it was very very dark. There were partitions between you and the person next to you, so your whole focus was on the white, bright screen which flashed images at an impossible speed and you were supposed to draw them with big chunks of charcoal on huge pads of newsprint! What fantastic visual training...to see "the overall," the "gestalt," very fast...so different than worrying about if something is good or what it means. I have not seen this show yet, but I am very excited to see it! The paintings of firing military hardware look great. Photographs of guns, firing, don't, actually, communicate the action...that takes visual and formal imagination.

—DONA Nelson on "Roy Lichtenstein Has Lost His Luster"

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