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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Posted inFilm

Minari Isn’t Really About the American Dream. It’s About US Empire.

Avatar photo by Peter Kim George February 11, 2021February 11, 2021

In Lee Isaac Chung’s drama, immigration should be considered through the lens of displacement and diaspora, with its characters exhibiting resilience rather than assimilation.

Posted inFilm

In The Lighthouse, Willem Dafoe and Robert Pattinson’s Despair Becomes Our Own

Avatar photo by Dan Schindel October 18, 2019October 18, 2019

Never content to simply depict its characters as their mental health erodes, the film seeks to make the viewer feel like they too are actually on the same path with them.

Posted inArt

Lulu Wang on Family, Fiction, and the First-Gen Experience in The Farewell

by Juan Barquin July 23, 2019July 23, 2019

On the heels of the film’s release, the director spoke with Hyperallergic’s Juan Barquin about navigating the gaps inherent to emigrating, adapting her personal narrative for both film and radio, and how life itself can be just as performative as the characters we watch on the big screen. 

Posted inFilm

A Horror Flick Parodies Instagram and the Idea of “Finding Yourself” Abroad

Avatar photo by Dan Schindel July 3, 2019July 2, 2019

In Midsommar, being an ugly American could get you killed.

Open Source Gallery’s Art Auction Is Open for Bidding
Sponsored

Open Source Gallery’s Art Auction Is Open for Bidding

The return of Open Source Gallery’s Gala and Annual Art Auction is met with a groundswell of support from artists and collectors.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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