The artist wedges a sharp critique, and in many ways, erodes the foundations on which borders are built.
Along Phoenix’s Roosevelt Row, development has pushed out several art spaces during the last decade, resulting in a “manufactured” arts district.
Lucha Libre: Beyond the Arenas shows that the performative wrestling genre is about more than the wrestlers or their costumes.
Merryn Omotayo Alaka and Sam Frésquez’s artistic collaborations center experiences of gender, queerness, and race.
Local artists and culture workers are wondering how the arena will impact the arts landscape, including museums and alternative spaces.
Diné fiber artist and sixth-generation weaver Tyrrell Tapaha expands lived experience and ideas about the future.
At Arizona State University, we value how diversity and creative thinking advance research, and take responsibility for the public we serve.
Canal Convergence, 10 years strong, brings large-scale interactive artworks to Scottsdale, Arizona’s waterfront.
Chip Thomas and Ken Ogawa are creating sight and sound installations to raise awareness about ecological devastation and injustice.
The Center for Hope, Humanity, and Holocaust Education, inspired by artist Robert Sutz’s work, is slated to open in Phoenix in 2025.
Willem de Kooning’s “Woman-Ochre” was sliced out of its frame at the University of Arizona Museum of Art in a notoriously brazen theft.
The Grand Avenue Billboard Project enables artists like Karen Fiorito to publicly express their political views.