Art Review
Global Tourism Was Built on Headless Blemmyes
The Book of Marvels is the kind of show that’s hard to avoid at archival art institutions, wherein problematic historical content, aesthetic appeal, and fantasy all intersect.
Art Review
The Book of Marvels is the kind of show that’s hard to avoid at archival art institutions, wherein problematic historical content, aesthetic appeal, and fantasy all intersect.
Art Review
“Working Knowledge” is deeply attuned to the Bronx community it emerges from — an attentiveness that greatly enhances its significance.
Art Review
The Louvre’s conservation of two Cimabue paintings led its curators to reassess the artist not as a predecessor to the Renaissance masters but on his own merits.
Art Review
Far from perfect, their work illustrates the kind of mess, ambition, and attention that many artists would be lucky to have.
Art Review
Feeling, intuiting the swing, sway, and pressures of life, with all its tumult, its blare, its bounce, and its heave, were what really counted in modern poetry.
Art Review
It seems that the philanthropic funds that enable shows like this are at the expense of art historical depth and integrity, perhaps even curators’ jobs.
Art Review
In paintings, ceramics, and installations, Rachel Hakimian Emenaker depicts scenes of gentrification, religion, and homeland.
Art Review
Claudia Alarcón and the Wichí women weavers who compose the collective Silät create artworks that seem to channel land and celestial bodies.
Art Review
“Gordon Matta-Clark: NYC Graffiti 1972/3” has the feel of a time capsule that never veers too far into didacticism, while the art almost makes you feel like you’re there.
Art Review
In this retrospective, the Montclair-raised artist gives the viewer a look at an artistic language that continues to evolve and shed layers to reveal its essence.
Art Review
The exhibition ruptures space to unlock novel metaphors for the abject moral environment of 2025.
Art Review
The trailblazing Afro-Indigenous sculptor’s life and everlasting impact are the subject of a long-overdue retrospective at the Brooklyn Museum.