Art Review
The Canary in the Turbine Hall
Máret Ánne Sara contends that the destruction of Samí lands foreshadows similar threats to more temperate regions and calls for alternative frameworks of knowledge.
Art Review
Art Review
We’re All Pink on the Inside
…Literally. An exhibition about bodily freedom features photos from the inside of a vagina, sculptures based on abortion stories, and more.
Art Review
Calder’s Circus Is for Everyone
The Whitney’s 100th anniversary exhibition of Alexander Calder’s sculpted circus shows an artist at play, and creates a fantastical world.
Art Review
The Anti-Caravaggio of the Baroque Era
Georges de La Tour incorporated chiaroscuro into austere genre compositions, lending them a uniquely intimate and spiritual quality.
Art Review
Who Was Marie Antoinette Beneath All That Silk and Spectacle?
History has never really known her as a person, and that isn’t about to change here.
Art Review
Made in L.A.’s Anti-Curation Doesn’t Work
The curators’ self described “no-methodology methodology” results in a scattered exhibition that feels bland and curatorially unimaginative.
Art Review
Coco Fusco Turns Back the Ethnographic Gaze
In her first US retrospective, she becomes museum specimen, interrogator, colonial queen, and more to expose the systems that produce them.
Art Review
The Irony of a Fascism Exhibition in Germany
Once a custodian of critical culture, Berlin’s Haus der Kulturen der Welt has become a model of capitulation to state control.
Art Review
Mapping the Queer Landscape of Medieval Europe
A new exhibition at The Met Cloisters makes the case that gender and sexual fluidity were an essential part of Medieval religious art.
Art Review
Sammy Baloji Mines Congo’s Hidden Histories
By incorporating the colonial archive in his works, Baloji shows how the sinister apparatus of the “civilizing mission” led to the negation and erasure of Congo's past.
Art Review
Julio César Morales Looks at Life on the Edge-Lands
In his exploration of the US/Mexico border, the artist asks: In today’s social climate, who has the privilege of having a future and who does not?
Art Review
The Darkness of Greuze’s Doe-Eyed Children
Where an exhibition’s focus on childhood becomes outright problematic is the show’s bizarre conclusion, which considers spoiled innocence.