Art
Imagining the Ordinary: Heatherwick Studio at the Hammer Museum
With its new show, Provocations: The Architecture and Design of Heatherwick Studio, the Hammer Museum, Los Angeles, portrays itself as a kind of exploratory museum.
Art
With its new show, Provocations: The Architecture and Design of Heatherwick Studio, the Hammer Museum, Los Angeles, portrays itself as a kind of exploratory museum.
Art
I felt as if I were actually seeing that elusive moment in her perception when the person standing or sitting before her passed from patchwork anonymity into an emergent distinctiveness.
Art
Steve DiBenedetto’s current exhibition, Mile High Psychiatry, at Derek Eller marks a breakthrough for a painter who is best known for his encrusted surfaces jam-packed with helicopters, octopi and neural networks.
Art
Imaginative, aesthetic, historically fixated, and cosmically liberated, afrofuturism could be subject to low budgets, racism, sexism, and indifference, and still count itself a master of radiant ideas.
Art
Years a message in a bottle was floating in the Baltic Sea until its discovery by a fisherman = 101
Art
KINDERHOOK, NY — Meleko Mokgosi’s eponymous solo show, well installed at The School, Jack Shainman gallery's outpost in Kinderhook, New York, will hit your sweet spot if you're in the mood to see some colossal paintings in an atrium-like space that can compete with Dia:Beacon (but with paintings).
Art
Next month, 28 contemporary American artists will infiltrate the homes of the two artists who are the "physical cornerstone of American art," as co-curator Stephen Hannock puts it.
Art
It's fun to imagine what an archaeologist of the future might make of the found notes — including shopping lists, personal reflections, and angry scribbles — currently on view at Stour Space Gallery in London.
Art
A golden reindeer gallops across a vast checkerboard while a grotesque UFO flies overhead.
Art
PARIS — Bruce Nauman at the Fondation Cartier is a hip, hodgepodge mini-retrospective, curated by Hervé Chandè, that sets an array of Nauman’s works against each other, ranging from the '80s to the rather recent.
Art
MINNEAPOLIS — I have to admit, I was a little wary of going to see an art exhibition that I presumed would consist of leftovers from a one-off, amazing, artist-led dinner, a show littered with lengthy documents about a great event I missed.
Art
NEW PALTZ, NEW YORK — I recently saw the group show ostensibly about ornamentation and abstraction at the Samuel Dorsky Museum at SUNY New Paltz, and came away thinking I’d just seen a show about politics, hegemony, and the War on Terror.