Art
PARIS — For a brief time, a former Catholic seminary on Paris' classy Boulevard Raspail was overtaken with a psychoanalyst's jubilee of art from self-taught creators who worked in secret or seclusion, in mental asylums or hospitals, or just from their own particular perspective of the world. The Mus
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I first learned about Nick Cave's work in an undergraduate puppetry class. Puppetry, like architecture and some other disciplines, is the synthesis of a myriad of techniques both artistic and mechanical, attracting sculptors, dancers, and engineers in equal number. Similarly, Cave's 30-strong herd o
Art
DALLAS — Dallas. It’s a city, it’s a vintage television soap opera, and it’s the home of Bush 43. But it’s also a hub of contemporary art? Though this Texas-sized city has a reputation for big hair, football, barbecue, and twang, it also has a long history of support for the visual arts. From the Da
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If you can imagine a lovechild of Walker Evans and Larry Clark, that’s Mike Brodie. Leaving home in 2002, at 17, Brodie became infatuated with train hopping and rode freight trains on and off for seven years. Along the way, he picked up his first camera, a Polaroid, in 2004 and began photographing h
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I first learned about Cubism in an art history class my sophomore year of college. I remember the moment of revelation, after reading a lot about but still failing to grasp what exactly Picasso and Braque were after. In the darkened lecture hall one afternoon, our teacher summed it up this way: how
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This week the doctor wants to shake things up a bit, so she's sending you off in search of the funky, the experimental, and the unexpected.
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PARIS — As I've been wandering the streets of Paris this week, one artist seems to be haunting my path with his dark and elegant street art. Fred le Chevalier, as he signs his work, has paste up drawings of red-lipped pale women posed with strange creatures like owls, large cats, and anthropomorphic
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This is Catherine Murphy’s first exhibition with Peter Freeman — and the inaugural show of gallery’s large, new space (March 14–April 27, 2013). Although Murphy has been showing regularly in New York since the early '70s, this is the first time that she has had a space big enough to comfortably disp
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I met Edward Avedisian by chance at Max’s Kansas City when I sat down next to him at the bar. Otis Redding filled the air. “You know,” Edward turned to me and said, “Ultimately what pop-music is all about is hiring someone to cry in public for you.” He watched for my response, eyes alert beneath his
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Every now and then we realize how much we live in a digital mirage. Take Baker Overstreet’s show at Fredericks & Freiser. Although this is the artist’s fourth solo in New York, I hadn’t yet seen his work in the flesh, my only exposure being images and reviews.
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Curious Matter’s current show, Aesthetic Insubordination, is modest but rewarding. Organized by Virginia-based artist Travis Childers, the exhibition features five artists who find inspiration in common domestic materials, like razor blades, buttons, and flannel.
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I hate artist statements. Really, I do. As an artist, they are almost always awkward and painful to write, and as a viewer they are similarly painful and uninformative to read. I also don’t know who decided that artists should be responsible for writing their own “artist statement.” Maybe it was an