Art
The Chilling, Anxious World of Mona Hatoum
LONDON — Tate Modern’s retrospective of Mona Hatoum spans the artist’s 35-year career, and she has made a lot of art.
Art
LONDON — Tate Modern’s retrospective of Mona Hatoum spans the artist’s 35-year career, and she has made a lot of art.
Art
PARIS — Arty, esoteric, noise music may not be for everyone, but the Velvet Underground arose from just such obscure subgenre territory.
Art
Blackness in Abstraction is one of the best opportunities in years to face the riddle of the color black and the phenomenon of blackening.
Art
LOS ANGELES — The current show at Sprüth Magers gallery, Eau de Cologne, has a title that might seem like a play on words (that’s what I initially thought), but it is actually quite straightforwardly unironic.
Art
The New York State Pavilion in Flushing Meadows-Corona Park is currently vacant, a lock on its gate allowing only a glimpse of the decayed interior of Philip Johnson's futuristic "Tent of Tomorrow," designed for the 1964 World's Fair.
Art
Racist sentiments often coexist with a mythologized past of a pure America inhabited only by white Christian people.
Art
LOS ANGELES — This week, writer and filmmaker Chris Kraus shares some of her influences, 85 artists pay homage to the album cover, a multimedia presentation on the history of naturalism takes place in a converted movie theater, and more.
Art
LONDON — When I first walked into the Whitechapel Gallery, I thought I was looking at a Barnett Newman zip painting on the far wall.
Art
This week, visit a resurrection of the beloved Troll Museum, see contemporary dance on the beach, or learn about the tradition of double dutch. And don't forget to join us tomorrow night at Housing Works for our second time bringing Hyperallergic off the screen and onto the stage.
Art
In "The Founder," a "dystopian startup simulator," you must disrupt markets, innovate nonstop, maybe even go beyond the Earth in wildly expensive rockets.
Art
Upon entering Odetta gallery in Bushwick, one is confronted with an irregular but geometric plywood sculpture that nearly fills the space, hovering within an inch of the floor.
Art
DALLAS, Tex. — In 2007, Italian artist Paola Pivi brazenly preempted her audience’s response to a work by titling it, “If you like it, thank you. If you don’t like it, I am sorry. Enjoy anyway.”